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Record Nr. |
UNINA9910462633203321 |
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Titolo |
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque [[electronic resource] /] / edited by Michelle A. Erhardt and Amy M. Morris |
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Pubbl/distr/stampa |
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Leiden ; ; Boston, : Brill, 2012 |
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ISBN |
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1-283-85476-7 |
90-04-23224-9 |
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Descrizione fisica |
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1 online resource (489 p.) |
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Collana |
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Studies in religion and the arts ; ; 7 |
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Altri autori (Persone) |
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ErhardtMichelle A |
MorrisAmy M |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from PDF title page (viewed on Dec. 3, 2012). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preliminary Material -- Introduction / Michelle Erhardt and Amy Morris -- 1 The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence / Michelle A. Erhardt -- 2 Mary Magdalene and Her Dear Sister: Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano) / Joanne W. Anderson -- 3 The German Iconography of the Saint Magdalene Altarpiece: Documenting Its Context / Amy M. Morris -- 4 The Printed Penitent: Magdalene Imagery and Prostitution Reform in Early Modern Italian Chapbooks and Broadsheets / Rachel Geschwind -- 5 Tintoretto’s Holy Hermits at the Scuola Grande di San Rocco / Elizabeth Carroll Consavari -- 6 Irony and Realism in the Iconography of Caravaggio’s Penitent Magdalene / Patrick Hunt -- 7 The Gaze in the Garden: Mary Magdalene in Noli me tangere / Barbara Baert -- 8 Michelangelo’s Noli me tangere for Vittoria Colonna, and the Changing Status of Women in Renaissance Italy / Lisa M. Rafanelli -- 9 Woman, Why Weepest Thou? Rembrandt’s 1638 Noli me tangere as a Dutch Calvinist Visual Typology / Bobbi Dykema -- 10 The Magdalene and ‘Madame’: Piety, Politics, and Personal Agenda in Louise of Savoy’s Vie de la Magdalene / Barbara |
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J. Johnston -- 11 Mary Magdalene Between Public Cult and Personal Devotion in Correggio’s Noli me tangere / Margaret A. Morse -- 12 Reflections on a Glass Madeleine Pénitente / Jane Eade -- 13 Exorcism in the Iconography of Mary Magdalene / Andrea Begel -- 14 “Woman, Why Weepest Thou?” Mary Magdalene, the Virgin Mary and the Transformative Power of Holy Tears in Late Medieval Devotional Painting / Vibeke Olson -- 15 Mary Magdalene and the Iconography of Domesticity / Annette LeZotte -- 16 Marketing Mary Magdalene in Early Modern Northern European Prints and Paintings / Michelle Moseley-Christian -- Bibliography -- Index. |
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Sommario/riassunto |
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Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next. |
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