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Record Nr. |
UNINA990000507600403321 |
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Autore |
Basov, N. G. <Nikolai Gennadievich ; <1922-2001 |
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Titolo |
High-power lasers and laser plasmas / edited by N. G. Basov |
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Pubbl/distr/stampa |
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New York ; London : Consultants Bureau, ©1978 |
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Descrizione fisica |
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Proceedings (Trudy) of the P.N. Lebedev Physics Institute ; 85 |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910462516903321 |
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Autore |
Cox Jason |
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Titolo |
Final Cut Pro X cookbook [[electronic resource] /] / Jason Cox |
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Pubbl/distr/stampa |
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Birmingham, : Packt Pub., 2012 |
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ISBN |
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1-283-68342-3 |
1-84969-297-1 |
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Descrizione fisica |
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1 online resource (452 p.) |
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Disciplina |
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Soggetti |
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Digital video - Editing - Data processing |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Includes index. |
"Edit with style and ease using the latest editing technologies in Final Cut Pro X!" |
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Nota di contenuto |
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Cover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chapter 1: Importing Your Media; Introduction; Importing from a tapeless video camera; Importing MTS, M2TS, and M2T files; Importing DSLR video; Importing music from iTunes and Garage Band; Importing still images; Importing data from a tape-based camera; Importing and working with layered Photoshop files; Importing iMovie projects; Importing Final Cut Pro 7 projects; Working with your already organized media; Relinking media files; Chapter 2: Customizing Your Workflow; Introduction |
Getting acquainted with the Final Cut Pro X interfaceCustomizing the keyboard; Adding keywords to your clips; Marking clips as favorites and rejected; Creating a Smart Collection; Working with a second computer monitor; Working with a broadcast safe monitor; Customizing the Event Library and Event Browser; Batch changing clip names and other metadata; Editing efficiently with optimized and proxy clips; Chapter 3: Basic Editing Mechanics; Introduction; Appending, inserting, and overwriting clips to a storyline; Working with (and without) the Magnetic Timeline; Creating connected clips |
Replacing a clip Splicing clips with the Blade tool; Using the Trim tool, part 1 - trimming and rippling; Using the Trim tool, part 2 - rolling; Using the Trim tool, part 3 - slipping and sliding; Creating and working with gap clips; Chapter 4: Enhancing Your Editing; Introduction; Making a three-point edit; Creating additional storylines; Trimming audio and video separately with a split edit (also known as making a J or L cut); Grouping clips together as a compound clip; Adding markers and to do items; Auditioning multiple shots or takes; Editing in beat to the music |
Using the Precision Editor Multicam part 1 - getting your media synced and prepped; Multicam part 2 - making the live cut; Multicam part 3 - fine-tuning your multicam edit; Chapter 5: Sweetening and Fixing Your Sound; Introduction; Reading and understanding the audio meters; Lowering your music during speakers; Lowering a loud, unexpected background sound with manual keyframes; Replacing bad audio with a cleaner recording; Sound effects, part 1 - browsing, connecting and panning; Sound effects, part 2 - animating with keyframes; Sound effects, part 3 - working in a surround sound space |
Removing unwanted audio channels Unlinking audio from video; Using FCPX's auto audio enhancements; Recording a voice over; Chapter 6: Practical Magic a.k.a Useful Effects; Introduction; Adding an effect and changing its parameters; Animating parameters of an effect over time with keyframes; Adding a watermark or logo to your video; Downloading and installing more effects; Blurring out a face or logo; Disguising a voice; Copying and pasting effects onto multiple clips; Going green (screen) part 1 - the basics; Going green (screen) part 2 - improving your key |
Going green (screen) addendum - using the mask effect to cut out unwanted parts of an image |
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Sommario/riassunto |
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Edit with style and ease using the latest editing technologies in Final Cut Pro X! |
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3. |
Record Nr. |
UNINA9910574880603321 |
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Autore |
Oppizzi Martino |
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Titolo |
Les juifs italiens de Tunisie pendant le fascisme : Une communauté à l’épreuve (1921-1943) / / Martino Oppizzi |
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Pubbl/distr/stampa |
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Rennes, : Presses universitaires de Rennes, 2022 |
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Rennes : , : Presses universitaires de Rennes, , 2022 |
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ISBN |
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Descrizione fisica |
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1 online resource (324 pages) |
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Collana |
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Soggetti |
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History |
juifs |
judaïsme |
italien |
fascisme |
émigration et immigration |
colonialisme |
diaspora |
totalitarisme |
antisémitisme |
mémoire |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Terre de mélanges culturels et de politiques coloniales, la Tunisie a attiré de l’Europe des courants d’immigrations aussi bien que des visées impérialistes. La trajectoire des Juifs italiens, dits Livournais, s’inscrit au carrefour de ces axes. Une communauté enracinée en Tunisie depuis le xviie siècle, mais toujours assimilée au monde européen. Une population cosmopolite, mais jalousement attachée à Livourne et à l’Italie. Une double minorité, à l’égard tant de la nombreuse population juive locale que des cent mille émigrés italiens vivant en Tunisie au début du xxe siècle, mais toujours caractérisée par une forte identité |
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collective. Pendant l’entre-deux-guerres, la place sociale de cette communauté fut remise en cause par une série de phénomènes convergents : l’essor du nationalisme tunisien, les tensions diplomatiques italo-françaises, et surtout par la montée au pouvoir du régime fasciste, résolu à encadrer les communautés d’émigration dans sa politique impériale. Sur la base de fonds d’archives et de témoignages inédits, ce travail reconstruit le parcours des Juifs italiens de Tunisie face aux stratégies de fascisation de Rome, en interrogeant les croisements identitaires dans les contextes d’émigration, la question de l’adhésion de masse au totalitarisme et le poids des médiateurs au sein des sociétés coloniales. |
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