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Record Nr. |
UNINA9910462420903321 |
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Autore |
Lejeune Denis |
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Titolo |
The radical use of chance in 20th century art [[electronic resource] /] / Denis Lejeune |
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Pubbl/distr/stampa |
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ISBN |
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1-280-49715-7 |
9786613592385 |
94-012-0726-7 |
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Descrizione fisica |
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1 online resource (269 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Chance in art |
Arts, Modern - 20th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Preliminary Material -- General Introduction -- The Rise of Chance in Modern Sciences -- The Tribulations of Chance within Philosophical Thought -- The Philosophy of Clément Rosset -- The Dialogue of Chance and the Arts -- André Breton -- François Morellet -- John Cage -- General conclusion -- Bibliography -- Interview with Clément Rosset (4th March 2004, Paris) -- Interview with François Morellet (April 2005, Cholet). |
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Sommario/riassunto |
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To many, chance and art are antagonistic terms. But a number of 20th century artists have turned this notion on its head by attempting to create artworks based on randomness. Among those, three in particular articulated a well-argued and thorough theory of the radical use of chance in art: André Breton (writer), John Cage (composer) and François Morellet (visual artist). The implications of such a move away from established aesthetics are far-reaching, as much in conceptual as in practical terms, as this book hopes to make clear. Of paramount importance in this coincidentia oppositorum is the suggested possibility of a correlation between the artistic use of chance and a system of thought itself organised around chance. Indeed placing randomness at the centre of one’s art may have deeper philosophical |
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