1.

Record Nr.

UNINA9910462412603321

Autore

Foster Shirley

Titolo

Victorian women's fiction : marriage, freedom and the individual / / Shirley Foster

Pubbl/distr/stampa

Abingdon, Oxon : , : Routledge, , 2012

ISBN

1-283-58553-7

9786613897985

0-203-12053-1

1-136-32181-0

Descrizione fisica

1 online resource (248 p.)

Collana

Routledge library editions. Women, feminism and literature

Victorian women's fiction : marriage, freedom and the individual ; ; v. 5

Disciplina

823.8093543

Soggetti

English fiction - 19th century - History and criticism

Women in literature

Women and literature - Great Britain - History - 19th century

English fiction - Women authors - History and criticism

Psychological fiction, English - History and criticism

Social psychology in literature

Marriage in literature

Liberty in literature

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

First published in 1985 by Croom Helm.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front Cover; New: Victorian Women's Fiction RLE; New: Copyright Page; Old: Victorian Women's Fiction RLE; Old: Copyright Page; Contents; Acknowledgements; 1. Introductory: Women and Marriage in Mid-Nineteenth-Century England; 2. Dinah Mulock Craik: Ambivalent Romanticism; 3. Charlotte BrontХе: A Vision of Duality; 4. Elizabeth Sewell: The Triumph of Singleness; 5. Elizabeth Gaskell: The Wife's View; 6. George Eliot: Conservative Unorthodoxy; Select Bibliography; Index

Sommario/riassunto

Focusing on the ways in which female novelists have, in their creative work, challenged or scrutinised contemporary assumptions about their



own sex, this book's critical interest in women's fiction shows how mid-nineteenth-century women writers confront the conflict between the pressures of matrimonial ideologies and the often more attractive alternative of single or professional life. In arguing that the tensions and dualities of their work represent the honest confrontation of their own ambivalence rather than attempted conformity to convention, it calls for a fresh look at patterns of im