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1. |
Record Nr. |
UNINA9910452804303321 |
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Autore |
Kopytova G. V |
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Titolo |
Jascha Heifetz : early years in Russia / / Galina Kopytova with the collaboration of Albina Starkova-Heifetz ; translated and edited by Dario Sarlo and Alexandra Sarlo |
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Pubbl/distr/stampa |
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Bloomington ; ; Indianapolis : , : Indiana University Press, , [2014] |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (504 p.) |
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Collana |
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Altri autori (Persone) |
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Starkova-HeifetzAlbina |
SarloDario |
SarloAlexandra |
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Disciplina |
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Soggetti |
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Violinists |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"This work appeared originally in Russian as Jascha Heifetz in Russia : from the history of the musical culture of the Silver Age by Galina Kopytova. © 2004 Kompozitor, St. Petersburg."--Title page verso. |
"The present edition in English is more than a translation of the original. With the support and approval of the author, it has been updated with new research and sources and has been adapted to an English-speaking audience"--Editors' introduction. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Contents; Author's Preface; Editors' Introduction; List of Abbreviations; 1 Early Roots of the Heifetz Family; 2 1901-1906: Vilnius; 3 1906-1909: Music School; 4 1910: St. Petersburg Conservatory and Nalbandian; 5 First Performances in St. Petersburg; 6 Summer 1911: Concerts in Pavlovsk and Odessa; 7 Fall 1911: In the Class of Professor Auer; 8 The Beginning of 1912; 9 1912: First Trip to Germany; 10 1912: A German Tour; 11 The Beginning of 1913; 12 Summer-Fall 1913: Loschwitz; 13 Winter 1913-1914: Bar Mitzvah; 14 Spring 1914; 15 Summer-Fall 1914: War; 16 January-September 1915 |
17 The End of 191518 The First Half of 1916; 19 The Second Half of 1916: Norway and Denmark; 20 The First Half of 1917: February |
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Revolution; 21 Summer 1917: Departure for America; Appendix 1: Reviews of Jascha Heifetz's Debut at Carnegie Hall, October 27, 1917; Appendix 2: Jascha Heifetz's Repertoire in Russia; Notes; Selected Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z |
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Sommario/riassunto |
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Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to ""Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say."" Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world-from |
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2. |
Record Nr. |
UNINA9910462249603321 |
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Autore |
Bradford Sarah H (Sarah Hopkins), <1818-1912.> |
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Titolo |
Harriet, the Moses of her people [[electronic resource] /] / by Sarah Hopkins Bradford |
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Pubbl/distr/stampa |
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Chapel Hill, NC, : University of North Carolina Press, 2012 |
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ISBN |
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1-4696-0783-2 |
1-4696-0782-4 |
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Edizione |
[DocSouth Books edition.] |
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Descrizione fisica |
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1 online resource (83 p.) |
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Disciplina |
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973.7/115/092 |
973.7115092 |
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Soggetti |
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Slaves - United States |
African Americans |
Underground Railroad |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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About This Edition; Summary; PREFACE.; HARRIET, THE MOSES OF HER PEOPLE.; APPENDIX |
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Sommario/riassunto |
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In 1869, Sarah Hopkins Bradford published Scenes in the Life of Harriet Tubman. Though often disjointed, this account presented to the public a legendary figure of the Underground Railroad. In 1886, Bradford substantially rewrote the biography at the request of Tubman, who hoped its sales would raise enough funds for the building of a hospital for old and disabled colored people. This second edition, Harriet, the Moses of Her People, provided little new information, but arranged the jumbled narrative of Scenes in chronological order, providing a clearer account of T |
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