The naked communist [[electronic resource] ] : Cold War modernism and the politics of popular culture / / Roland Végső

• Record Nr.: UNINA9910462093903321
• Autore: Végső Roland
• Pubbl/distr/stampa: New York, : Fordham University Press, 2013
• ISBN: 0-8232-4559-4; 0-8232-5253-1; 0-8232-5035-0
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (255 p.)
• Disciplina: 973.91
• Soggetti: Anti-communist movements - United States - History - 20th century; Anti-communist movements - United States - Philosophy; Cold War - Political aspects - United States; Popular culture - Political aspects - United States - History - 20th century; Aesthetics - Political aspects - United States - History - 20th century; Anti-communist movements in literature; Cold War in literature; American literature - 20th century - History and criticism; Electronic books.; United States Politics and government 1945-1989; United States Intellectual life 20th century
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Part I. Anti-Communist Politics -- The Aesthetic Unconscious -- Anti-Communist Politics and the Limits of Representation -- The Enemy, the Secret, and the Catastrophe -- Anti-Communist Aesthetic Ideology -- Part II. Anti-Communist Fiction -- One World : Nuclear Holocausts -- Two Worlds : Stolen Secrets -- Three Worlds : Global Enemies.
• Sommario/riassunto: The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the “world” names the totality that functioned as the ultimate horizon of modern political ; imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation. The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950's. Its primary objective is to describe the internal mechanisms of what we could call an anti- Communist “aesthetic ideology.” The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950's (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.