|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910462064703321 |
|
|
Titolo |
The Black American short story in the 20th century [[electronic resource] ] : a collection of critical essays / / ed. by Peter Bruck |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Amsterdam, : B.R. Grüner, 1977 |
|
|
|
|
|
|
|
ISBN |
|
1-283-90337-7 |
90-272-7262-X |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (217 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Short stories, American - African American authors - History and criticism |
Short stories, American - History and criticism |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references. |
|
|
|
|
|
|
Nota di contenuto |
|
THE BLACK AMERICAN SHORT STORY IN THE 20TH CENTURY; Title page; Copyright page; Table of contents; PREFACE; BLACK AMERICAN SHORT FICTION IN THE 20TH CENTURY Problems of Audience, and the Evolution of Artistic Stances and Themes; NOTES; CHARLES WADDELL CHESNUTT THE SHERIFF'S CHILDREN(1889); NOTES; BIBLIOGRAPHY; PAUL LAURENCE DUNBAR THE SCAPEGOAT(1904); NOTES; JEAN TOOMER FERN (1922); NOTES; ADDITIONAL SOURCES; LANGSTON HUGHES THE BLUES I'M PLAYING(1934); NOTES; BIBLIOGRAPHY; CHESTER HIMES A NIGGER(1937); NOTES; PRIMARY SOURCES; SECONDARY SOURCES; RICHARD WRIGHT FIRE AND CLOUD(1938); NOTES |
BIBLIOGRAPHYRALPH ELLISON KING OF THE BINGO GAME(1944); NOTES; BIBLIOGRAPHICAL NOTE; WILLIAM MELVIN KELLEY THE POKER PARTY(1961); NOTES; BIBLIOGRAPHY; JOHN A. WILLIAMS SON IN THE AFTERNOON (1962); NOTES; BIBLIOGRAPHY; ERNEST J. GAINES A LONG DAY IN NOVEMBER(1963); NOTES; BIBLIOGRAPHY; JAMES BALDWIN GOING TO MEET THE MAN(1965); NOTES; BIBLIOGRAPHY; AMIRI BARAKA (LeROI JONES)THE ALTERNATIVE(1965); NOTES; SELECTED BIBLIOGRAPHY; I. BLACK AMERICAN SHORT STORY COLLECTIONS 1898-1977; II. MAJOR ANTHOLOGIES; III. MAJOR SECONDARY SOURCES ON |
|
|
|
|