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1. |
Record Nr. |
UNINA9910462058503321 |
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Titolo |
Gender meets genre in postwar cinemas [[electronic resource] /] / edited by Christine Gledhill |
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Pubbl/distr/stampa |
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Urbana, : University of Illinois Press, 2012 |
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ISBN |
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1-283-58281-3 |
9786613895264 |
0-252-09366-6 |
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Descrizione fisica |
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1 online resource (289 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Sex role in motion pictures |
Motion pictures and women |
Feminism and motion pictures |
Film genres |
Women in motion pictures |
Men in motion pictures |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The shining / Katie Model -- Genre and gender transnational. Emotion, |
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subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. |
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Sommario/riassunto |
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This collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. |
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2. |
Record Nr. |
UNINA9910520710003321 |
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Autore |
Wallraff, Günter |
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Titolo |
Germania anni dieci : faccia a faccia con il mondo del lavoro / Günter Wallraff ; traduzione di Sara Mamprin |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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Collana |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Cosa c'è dietro questo caffè? E dietro questo panino precotto? E dietro il pacco ordinato ieri in rete e oggi già recapitato? Cinque reportage per raccontare dall'interno lo sfruttamento nella ricca Germania, solo in apparenza immune da ogni crisi. Il più importante giornalista d'inchiesta tedesco si traveste e si infiltra per mostrare il mondo del lavoro in tutta la sua cruda realtà, dandone testimonianza in prima persona. Facendosi assumere in un panificio industriale con turni inumani, impiegandosi come fattorino di un grande corriere espresso o |
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addentrandosi negli scandali dei manager delle grandi industrie pubbliche, Wallraff svela i quotidiani inferni del precariato, del mobbing, di un mondo del lavoro senza tutele né diritti. La smodata sete di profitto di pochi è controproducente per tutti. |
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3. |
Record Nr. |
UNINA9910783055603321 |
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Autore |
Chávez Ernesto <1962-> |
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Titolo |
"Mi raza primero!" (my people first!) [[electronic resource] ] : nationalism, identity, and insurgency in the Chicano movement in Los Angeles, 1966-1978 / / Ernesto Chávez |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, c2002 |
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ISBN |
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0-520-93596-9 |
9786612762536 |
1-282-76253-2 |
1-59734-748-5 |
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Descrizione fisica |
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1 online resource (185 p.) |
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Disciplina |
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Soggetti |
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Mexican Americans - California - Los Angeles - Politics and government - 20th century |
Mexican Americans - California - Los Angeles - Ethnic identity |
Mexican Americans - Civil rights - California - Los Angeles - History - 20th century |
Civil rights movements - California - Los Angeles - History - 20th century |
Los Angeles (Calif.) Politics and government 20th century |
Los Angeles (Calif.) Ethnic relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 149-157) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: "Those Times of Revolution" -- 1. "A Movable Object Meeting an Irresistible Force": Los Angeles's Ethnic Mexican Community in the 1950's and Early 1960's -- 2. "Birth of A New Symbol": The Brown Berets -- 3. "Chale No, We Won't Go!": The Chicano Moratorium |
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Committee -- 4. "The Voice of the Chicano People": La Raza Unida Party -- 5. "Un Pueblo Sin Fronteras": The Centro de Acción Social Autónomo (CASA) -- Afterword: "Why Are We Not Marching Like in the '70's?" -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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¡Mi Raza Primero! is the first book to examine the Chicano movement's development in one locale-in this case Los Angeles, home of the largest population of people of Mexican descent outside of Mexico City. Ernesto Chávez focuses on four organizations that constituted the heart of the movement: The Brown Berets, the Chicano Moratorium Committee, La Raza Unida Party, and the Centro de Acción Social Autónomo, commonly known as CASA. Chávez examines and chronicles the ideas and tactics of the insurgency's leaders and their followers who, while differing in their goals and tactics, nonetheless came together as Chicanos and reformers. Deftly combining personal recollection and interviews of movement participants with an array of archival, newspaper, and secondary sources, Chávez provides an absorbing account of the events that constituted the Los Angeles-based Chicano movement. At the same time he offers insights into the emergence and the fate of the movement elsewhere. He presents a critical analysis of the concept of Chicano nationalism, an idea shared by all leaders of the insurgency, and places it within a larger global and comparative framework. Examining such variables as gender, class, age, and power relationships, this book offers a sophisticated consideration of how ethnic nationalism and identity functioned in the United States during the 1960's and 1970's. |
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