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Record Nr. |
UNINA9910462053903321 |
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Autore |
Kogan Ilany |
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Titolo |
Canvas of change : analysis through the prism of creativity / / by Ilany Kogan |
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Pubbl/distr/stampa |
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Boca Raton, FL : , : Routledge, an imprint of Taylor and Francis, , [2018] |
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©2012 |
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ISBN |
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0-429-89745-6 |
0-429-47268-4 |
1-283-00290-6 |
9786613823090 |
1-78241-011-2 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (169 p.) |
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Disciplina |
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Soggetti |
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Creation (Literary, artistic, etc.) - Psychological aspects |
Arts - Therapeutic use |
Psychoanalysis |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; Introduction; PART I CREATIVITY THROUGH THE PRISM OF ANALYSIS; CHAPTER ONE The source and function of creativity: a review of classical and contemporary literature; CHAPTER TWO Creativity through the prism of analytic models; PART II ANALYSIS THROUGH THE PRISM OF STORIES FROM THE BIBLE; CHAPTER THREE The case of David; CHAPTER FOUR Stories from the Bible in the light of analytic models; PART III ANALYSIS THROUGH THE PRISM OF PAINTINGS AND POEMS; CHAPTER FIVE Creative activity in the treatment of the offspring of Holocaust survivors |
CHAPTER SIX The case of RachelCHAPTER SEVEN From fragmentation to integration; CHAPTER EIGHT The role of creative activity in the treatment of Rachel; CHAPTER NINE-CONCLUSION The role of the therapist in incorporating the creative process in therapy; REFERENCES; |
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Sommario/riassunto |
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This book presents a detailed account of two analytic case studies examined through the particular viewpoint of creativity.The first part of the book contains a review of the classical and contemporary literature on the source and function of creativity. Creativity is then examined from the perspective of several analytic models - Freudian, Kleinian, and post-Kleinian. The second and third parts of the book present case illustrations that deal with the use of creative activity in analysis. The creative use of biblical stories in the case of David, or the use of paintings and poems in the case of Rachel, portrayed the inner reality of these patients. David's violent and incestuous biblical stories reflected his world of incestuous and destructive wishes towards his primary objects (and towards the therapist in the transference) Rachel's paintings and poems conveyed her unconscious conflicts, depressive fantasies and anxieties, stemming from her fusion with her mother who was a child Holocaust survivor. Working through their relationships with their primary objects and their self perception, as revealed by these creative activities in analysis, facilitated the patients' mourning. |
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2. |
Record Nr. |
UNINA9910783670303321 |
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Autore |
Berry Mary Elizabeth |
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Titolo |
Japan in print : information and nation in the early modern period / / Mary Elizabeth Berry |
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Pubbl/distr/stampa |
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Berkeley, CA : , : University of California Press, , [2006] |
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©2006 |
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ISBN |
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1-282-36046-9 |
1-4237-5264-3 |
9786612360466 |
0-520-94146-2 |
1-59875-928-0 |
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Descrizione fisica |
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1 online resource (347 p.) |
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Collana |
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Asia: Local Studies / Global Themes ; ; 12 |
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Disciplina |
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Soggetti |
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Printing - Japan - History - 17th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 291-308) and index. |
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Nota di contenuto |
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List of figures -- Acknowledgments -- 1. A traveling clerk goes to the bookstores -- 2. The library of public information -- 3. Maps are strange -- 4. Blood right and merit -- 5. The freedom of the city -- 6. Cultural custody, cultural literacy -- 7. Nation -- Notes -- Bibliography -- Index. |
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Sommario/riassunto |
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A quiet revolution in knowledge separated the early modern period in Japan from all previous time. After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. They subsequently circulated their findings through a variety of commercially printed texts: maps, gazetteers, family encyclopedias, urban directories, travel guides, official personnel rosters, and instruction manuals for everything from farming to lovemaking. In this original and gracefully written book, Mary Elizabeth Berry considers the social processes that drove the information explosion of the 1600's. Inviting readers to examine the contours and meanings of this transformation, Berry provides a fascinating account of the conversion of the public from an object of state surveillance into a subject of self-knowledge. Japan in Print shows how, as investigators collected and disseminated richly diverse data, they came to presume in their audience a standard of cultural literacy that changed anonymous consumers into an "us" bound by common frames of reference. This shared space of knowledge made society visible to itself and in the process subverted notions of status hierarchy. Berry demonstrates that the new public texts projected a national collectivity characterized by universal access to markets, mobility, sociability, and self-fashioning. |
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