| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910462047803321 |
|
|
Titolo |
The Coronado expedition [[electronic resource] ] : from the distance of 460 years / / edited by Richard Flint and Shirley Cushing Flint |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Albuquerque, : University of New Mexico Press, c2003 |
|
|
|
|
|
|
|
ISBN |
|
1-283-59801-9 |
9786613910462 |
0-8263-2977-2 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (354 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
FlintRichard <1946-> |
FlintShirley Cushing |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Explorers - Southwest, New - History - 16th century |
Explorers - Spain - History - 16th century |
Spaniards - Southwest, New - Antiquities |
Excavations (Archaeology) - Southwest, New |
Electronic books. |
Southwest, New Discovery and exploration Spanish Congresses |
Southwest, New Antiquities Congresses |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Front Cover; Title Page; Copyright; Contents; Figures; Maps; Tables; Acknowledgments; Introduction: New Vantages on the Coronado Expedition; 1: To See Such Marvels with My Own Eyes: Spanish Exploration in the Western Borderlands; 2: Before the Coronado Expedition: Who Knew What and When Did They Know It?; 3: The Financing and Provisioning of the Coronado Expedition; 4: What's Missing from This Picture? The Alarde, or Muster Roll, of the Coronado Expedition; 5: Chichilticale: A Survey of Candidate Ruins in Southeastern Arizona |
13: First Arrivals: Coronado, Hank Smith, and the Old Springs of the Llano Estacado14: Spanish Crossbow Boltheads of Sixteenth-Century North America: A Comparative Analysis; 15: Looking at a Mule Shoe: Sixteenth-Century Spanish Artifacts in Panama; 16: Mapping, Measuring, and Naming Cultural Spaces in Castañeda's Relación de la |
|
|
|
|
|
|
|
|
|
|
|
|
|
jornada de Cíbola; 17: Two Colonies, Two Conquistadores: Francisco and Juan Vázquez de Coronado; References Cited; Contributors; Index; Back Cover |
|
|
|
|
|
|
Sommario/riassunto |
|
This varied study of documents from the 1540 exploration of what is now New Mexico takes a fresh look at the details of Coronado's expansion of the Spanish empire. |
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910552751703321 |
|
|
Autore |
Kesting Marietta |
|
|
Titolo |
Affective images : post-apartheid documentary perspectives / / Marietta Kesting |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Albany, New York : , : SUNY Press, , 2017 |
|
©2017 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (306 pages) : illustrations (black and white) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Post-apartheid era in mass media |
Documentary mass media - South Africa - History |
South Africa In mass media |
South Africa Politics and government 20th century |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references, filmography and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction -- Mapping context and place -- Affective images. Photographs of black suffering and violence -- Affective images in the "new" South Africa -- Burning questions. The "Burning man" -- The afterlife of Nhamuave's photograph -- Photographic speech acts. Migrant life and the image -- Documentary participatory photography and politics -- In/visibilities and reenactments. De-identification and multiplication. From documentary to fiction and back: District 9 -- Conclusion: affective images of belonging. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Affective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. |
|
|
|
|
|
|
|
|
|
|
Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studies, history of photography, media theory, and cultural studies. Featuring in-depth discussions of photographs, films, and other visual documents, Kesting then situates them in broader historical contexts, such as cultural history and the history of black subjectivity and revolves the images around the intersection of race and gender. In its interdisciplinary approach, this book explores the recurrence of affective images of the past in a different way, including flashbacks, trauma, "white noise," and the return of the repressed. It draws its materials from photographers, filmmakers, and artists such as Ernest Cole, Simphiwe Nkwali, Terry Kurgan, Thenjiwe Niki Nkosi, Adze Ugah, and the Center for Historical Reenactments. |
|
|
|
|
|
| |