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Record Nr. |
UNINA9910462002603321 |
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Titolo |
The international recording industries / / edited by Lee Marshall |
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Pubbl/distr/stampa |
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Abingdon, Oxon : , : Routledge, , 2013 |
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ISBN |
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1-283-84640-3 |
1-136-85105-4 |
0-203-83466-6 |
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Descrizione fisica |
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1 online resource (241 p.) |
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Collana |
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Routledge advances in sociology ; ; 75 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Sound recording industry |
Music trade |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The International Recording Industries; Copyright; Contents; List of Figures; List of Tables; List of Contributors; 1 Introduction; Part I Context; 2 Contextualising the contemporary recording industry; 3 The recording industry in the twentieth century; 4 The recording industry in the twenty-first century; Part II The international recording industries; 5 Brazil; 6 Czech Republic; 7 Finland; 8 France; 9 Japan; 10 South Africa; 11 Ukraine; Index |
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Sommario/riassunto |
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The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry's content, attitudes and practices have regularly been under the microscope. Much of this discussion, however, is dominated by US and UK perspectives and assumes the 'the recording industry' to be a relatively static, homogeneous, entity.This book attempts to offer a broader, less Anglocentric and more dynamic understandin |
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