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1. |
Record Nr. |
UNINA9910461832803321 |
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Autore |
Bender Shawn |
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Titolo |
Taiko Boom : Japanese Drumming in Place and Motion / / Shawn Bender |
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Pubbl/distr/stampa |
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Berkeley, CA : , : University of California Press, , [2012] |
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©2012 |
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ISBN |
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1-280-78137-8 |
9786613691767 |
0-520-95143-3 |
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Descrizione fisica |
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1 online resource (279 p.) |
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Collana |
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Asia: Local Studies / Global Themes ; ; 23 |
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Disciplina |
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Soggetti |
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Taiko - History - Japan |
Taiko (Drum ensemble) - History - Japan |
Music - Japan |
Musical instruments - Japan |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Illustrations -- Acknowledgments -- Note on Translation, Japanese Names, and Romanization -- Introduction -- Part One. The Emergence and Popularization of Taiko -- Part Two. Discourses of Contemporary Taiko -- Epilogue: Taiko at Home and Abroad -- Notes -- References -- Index |
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Sommario/riassunto |
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With its thunderous sounds and dazzling choreography, Japanese taiko drumming has captivated audiences in Japan and across the world, making it one of the most successful performing arts to emerge from Japan in the past century. Based on ethnographic fieldwork conducted among taiko groups in Japan, Taiko Boom explores the origins of taiko in the early postwar period and its popularization over the following decades of rapid economic growth in Japan's cities and countryside. Building on the insights of globalization studies, the book argues that taiko developed within and has come to express new forms of communal association in a Japan increasingly engaged with global cultural flows. While its popularity has created new opportunities for |
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Japanese to participate in community life, this study also reveals how the discourses and practices of taiko drummers dramatize tensions inherent in Japanese conceptions of race, the body, gender, authenticity, and locality. |
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2. |
Record Nr. |
UNINA9910716276403321 |
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Titolo |
To designate the times and places of holding terms of The United States District Court for the District of Arkansas. March 16, 1926. -- Referred to the House Calendar and ordered to be printed |
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Pubbl/distr/stampa |
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[Washington, D.C.] : , : [U.S. Government Printing Office], , 1926 |
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Descrizione fisica |
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1 online resource (2 pages) |
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Collana |
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House report / 69th Congress, 1st session. House ; ; no. 563 |
[United States congressional serial set ] ; ; [serial no. 8532] |
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Altri autori (Persone) |
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YatesRichard <1860-1936> (Republican (IL)) |
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Soggetti |
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Judicial districts |
Legislative amendments |
Legislative materials. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Batch processed record: Metadata reviewed, not verified. Some fields updated by batch processes. |
FDLP item number not assigned. |
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3. |
Record Nr. |
UNINA9910726291503321 |
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Autore |
Gonis Ifigenia |
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Titolo |
Re-Situating Public Theatre in Contemporary France : Theatres and Their Publics / / by Ifigenia Gonis |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
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ISBN |
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Edizione |
[1st ed. 2023.] |
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Descrizione fisica |
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1 online resource (240 pages) |
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Disciplina |
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Soggetti |
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Theater - History |
Theater |
Human geography |
Cultural geography |
Cultural policy |
Contemporary Theatre and Performance |
Global and International Theatre and Performance |
Social and Cultural Geography |
Cultural Policy and Politics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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I. Introduction: scenes from an occupation -- II. Histories of Theatre Decentralization in France -- III. Assemble: Wajdi Mouawad and the Théâtre National - La Colline -- IV. Build: Philippe Quesne and the Théâtre Nanterre - Amandiers -- V. Diversify: Hortense Archambault and the MC93, Bobigny -- VI. Pluralize: Jean-Marie Hordé and the Théâtre de la Bastille -- VII. Conclusion. |
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Sommario/riassunto |
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This book examines the dynamics of the relational and spatial politics of contemporary French theatrical production, with a focus on four theatres in the Greater Paris region. It situates these dynamics within the intersection of the histories of the public theatre and theatre decentralization in France, and the dialogues between live performances and the larger frameworks of artistic direction and programming as well as various imaginations of the “public”. Understanding these phenomena, as well as the politics that |
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underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics. Dr. Ifigenia G. Gonis holds a PhD in Romance Languages and Literatures from Harvard University, USA. Her research interests include contemporary theatre studies, French cultural politics, and social justice.She is also an inaugural board member of the Boston-based Citizen TALES Commons. She currently teaches in Paris at the École Internationale Bilingue. |
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