1.

Record Nr.

UNINA9910461534603321

Autore

Hughes Alan <1939->

Titolo

Performing Greek comedy / / Alan Hughes [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2012

ISBN

1-139-33503-0

1-139-34220-7

1-107-22822-0

1-280-39400-5

1-139-33764-5

9786613571922

1-139-34009-3

1-139-34167-7

1-139-33677-0

1-139-33851-X

0-511-92082-2

Descrizione fisica

1 online resource (xvi, 311 pages) : digital, PDF file(s)

Disciplina

792.2/30938

Soggetti

Theater - Greece - History - To 500

Greek drama (Comedy) - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 292-308) and index.

Nota di contenuto

; 1. Comedy in art, Athens and abroad -- ; 2. Poets of Old and Middle comedy -- ; 3. Theatres -- ; 4. The comic chorus -- ; 5. Music in comedy -- ; 6. Acting, from lyric to dual consciousness -- ; 7. Technique and style of acting comedy -- ; 8. The masks of comedy -- ; 9. Costumes of Old and Middle Comedy -- ; 10. Comedy and women -- ; 11. New Comedy -- Catalogue of objects discussed: vases, terracottas, other media.

Sommario/riassunto

Alan Hughes presents a new complete account of production methods in Greek comedy. The book summarises contemporary research and disputes, on such topics as acting techniques, theatre buildings, masks and costumes, music and the chorus. Evidence is re-interpreted and traditional doctrine overthrown. Comedy is presented as the pan-



Hellenic, visual art of theatre, not as Athenian literature. Recent discoveries in visual evidence are used to stimulate significant historical revisions. The author has directly examined 350 vase scenes of comedy in performance and actor-figurines, in 75 collections, from Melbourne to St Petersburg. Their testimony is applied to acting techniques and costumes, and women's participation in comedy and mime. The chapters are arranged by topic, for convenient reference by scholars and students of theatre history, literature, classics and drama. Overall, the book provides a fresh practical insight into this continually developing subject.