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Record Nr. |
UNINA9910461337003321 |
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Titolo |
The song of songs / / edited by Athalya Brenner and Carole R. Fontaine |
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Pubbl/distr/stampa |
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Sheffield : , : Sheffield Academic Press, , [2000] |
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©2000 |
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ISBN |
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1-283-20130-5 |
9786613201300 |
0-567-62536-2 |
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Descrizione fisica |
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1 online resource (212 p.) |
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Collana |
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The feminist companion to the Bible (Second series) ; ; 6 |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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CONTENTS; Abbreviations; List of Contributors; Preface; Introduction; Part I. FEMINIST APPROPRIATION OF THE SONG OF SONGS? IN GENERAL; Ten Things Every Feminist Should Know About the Song of Songs; A Holy of Holies: The Song of Songs as Countertext; Into Another Scene of Choices: The Theological Value of the Song of Songs; 'My Vineyard, my Very Own, Is for Myself; Part II. SPECIFIC READINGS: ALLEGORIES AND FEMINISTS READINGS; Unlikely Bedfellows: Allegorical and Feminist Readings of Song of Songs 7.1-8; Luis de Leon and the Song of Songs |
Go Your Way: Women Rewrite the Scriptures (Song of Songs 2.8-14)Part III. THE SONG OF SONGS, PERSONALIZED; 'My' Song of Songs; The Voice of the Turtle: Now it's MY Song of Songs; 'You Are Beautiful my Love' : The Song of Songs of Women; Bibliography; Index of References; Index of Authors |
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Sommario/riassunto |
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The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most |
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