| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910461328303321 |
|
|
Autore |
Savage Steve |
|
|
Titolo |
The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Oxford ; ; New York, : Oxford University Press, 2011 |
|
|
|
|
|
|
|
ISBN |
|
1-283-13650-3 |
9786613136503 |
0-19-987523-5 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (284 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
JohnsonRobert |
FergussonIain |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Sound studios |
Sound - Recording and reproducing - Digital techniques |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Contents; Introduction; 1 The Starting Point: Sound Meets the Computer; 2 The Essentials: Where and How Recordings Are Made; 3 Recording Sessions: A Practical Guide; 4 Editing: The New Frontier; 5 Three Fundamentals: Techniques Every Recordist Needs to Know; 6 Mixing: The Most Creative and the Most Challenging Stage; 7 Mastering: One Last Session; 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions; Addendum 1 How to Walk into a Commercial Studio and Be the Engineer; Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar |
Appendix: Digital Audio Formats, Delivery, and StorageOnline Glossary Link; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Making great audio recordings requires striking the right balance between technical know-how and practical understanding of recording sessions. Even in the digital age, some of the most important aspects of creating and recording music are non-technical and, as a result, are often overlooked by traditional recording manuals. The Art of Digital Audio Recording teaches readers what they really need to know in |
|
|
|
|
|
|
|
|
|
|
|
|
|
order to make great sound recordings with computers - both the practical and the technical information, including: DT What to look and listen for in a recording environment DT Straightforwa |
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910135340503321 |
|
|
Titolo |
IEEE Standard Specifications for Surge Protectors Used in Low-Voltage Data, Communications,and Signaling Circuits : Redline / / IEEE |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Piscataway, N.J. : , : IEEE, , 2009 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[(Revision of IEEE Std C62.64-1997).] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (83 pages) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
Surge protectors for application on multiconductor and coaxial, balanced or unbalanced, data, communications, and signaling circuits with voltages less than or equal to 1000 V rms or 1200 V dc are covered. These surge protectors are multiple-component series or parallel combinations of one or more nonlinear elements and zero or more linear elements. The tables of typical performance values provide a means of comparison among various surge protectors. They also provide a common engineering language beneficial to the user and manufacturer of surge protectors used in low-voltage data, communications, and signaling circuits. |
|
|
|
|
|
|
|
| |