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1. |
Record Nr. |
UNINA9910461274203321 |
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Autore |
Hullfish Steve |
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Titolo |
The art and technique of digital color correction / / Steve Hullfish |
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Pubbl/distr/stampa |
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New York : , : Focal Press, , 2013 |
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ISBN |
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1-138-45976-3 |
1-136-03962-7 |
1-283-97333-2 |
0-240-81716-8 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (527 p.) |
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Disciplina |
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Soggetti |
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Color computer graphics |
Color computer printers |
Color display systems |
Color photography - Digital techniques |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections |
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range |
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Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper |
Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix |
User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene |
Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion |
CHAPTER 10 Creating Looks |
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Sommario/riassunto |
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The only guide to the art and technique of color correction based on the invaluable knowledge of more than a dozen of the top colorists in the world. This book allows you unprecedented access to the way the masters of the craft approach their work.Containing decades of industry experience and professional colorist know-how, this book provides an understanding of what top-tier colorists look for in an image and how they know what to do to make it great. Featuring techniques performed in a variety of color correction software applications (DaVinci Resolve, Apple Color, Synthetic |
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2. |
Record Nr. |
UNINA9910781111803321 |
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Autore |
Ross Jill <1961-> |
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Titolo |
Figuring the feminine : the rhetoric of female embodiment in medieval Hispanic literature / / Jill Ross |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2008 |
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©2008 |
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ISBN |
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1-4426-9117-4 |
1-4426-8810-6 |
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Descrizione fisica |
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1 online resource (316 p.) |
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Disciplina |
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Soggetti |
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Spanish literature - To 1500 - History and criticism |
Women in literature |
Gender identity in literature |
Body image in literature |
Criticism, interpretation, etc. |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Carnal knowledge: metaphor, allegory, and the embodiment of truth -- Dynamic writing and martyrs' bodies in Prudentius's Peristephanon -- Macho words: writing, violence, and gender in the Poema de mio Cid -- The metaphorics of Mary: language and embodiment in Berceo's Milagros de Nuestra Señora -- Undressing the Libra de buen amor -- Configuring culture: writing the hybrid in Shem Tov of Carrión -- Conclusion. |
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Sommario/riassunto |
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Figuring the Feminine examines the female body as a means of articulating questions of literary authority and practice within the cultural spheres of the Iberian Peninsula (both Romance and Semitic) as well as in the larger Latinate literary culture. It demonstrates the centrality in medieval literary culture of the gendering of rhetorical and hermeneutical acts involved in the creation of texts and meaning, and the importance of the medieval Iberian textual tradition in this process, a complex multicultural tradition that is often overlooked in medieval |
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literary scholarship. This study adopts an innovative methodology informed by current theories of the body and gender to approach Hispanic literature from a femininst perspective.Jill Ross offers new readings of medieval Hispanic texts (Latin, Castilian, and Hebrew) including Prudentius' Peristephanon, Gonzalo de Berceo's Milagros de Nuestra Señora, Shem Tov of Carrión's Battle Between the Pen and the Scissors, and several others. She highlights ways in which these texts contribute to the understanding of gender in medieval poetics and foreground questions of literary and cultural import. Figuring the Feminine argues that the bodies of women are crucial to the working out of such questions as the unsettling shift from orality to literacy, textual instability, cultural dissonance, and the resistance to cultural and religious hegemony. |
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