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Record Nr. |
UNINA9910461027003321 |
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Autore |
Rankine Claudia |
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Titolo |
American Women Poets in the 21st Century [[electronic resource] ] : Where Lyric Meets Language |
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Pubbl/distr/stampa |
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Middletown, : Wesleyan University Press, 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (457 p.) |
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Collana |
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Wesleyan poetry American women poets in the 21st century |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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American poetry -- 20th century |
American poetry -- 21st century |
American poetry -- Women authors |
Women -- United States -- Poetry |
American poetry - Women authors - 21st century - United States |
Women |
American poetry |
English |
Languages & Literatures |
American Literature |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Cover; AMERICAN WOMEN POETS IN THE 21ST CENTURY; Title; Copyright; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; RAE ARMANTROUT; POEMS; As We're Told; The Plan; View; Up to Speed; Manufacturing; POETIC STATEMENT; Cheshire Poetics; LYRICISM OF THE SWERVE; The Poetry of Rae Armantrout; MEI-MEI BERSSENBRUGGE; POEMS; From Four Year Old Girl; From Kali; From The Retired Architect; POETIC STATEMENT; By Correspondence; A "SENSITIVE EMPIRICISM"; Berssenbrugge's Phenomenological Investigations; LUCIE BROCK-BROIDO; POEMS; The One Thousand Days; Soul Keeping Company; Periodic Table of Ethereal Elements |
Am MoorCarrowmore; POETIC STATEMENT; Myself a Kangaroo Among the Beauties; "SUBJECT, SUBJUGATE, INTHRALLED"; The Selves of Lucie |
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Brock-Broido; JORIE GRAHAM; POEMS; Exit Wound; Covenant; Prayer; Gulls; The Complex Mechanism of the Break; In/Silence; Philosopher's Stone; POETIC STATEMENT; At the Border; JORIE GRAHAM AND EMILY DICKINSON; Singing to Use the Waiting; BARBARA GUEST; POEMS; Valorous Vine; If So, Tell Me; Confession of My Images; Defensive Rapture; An Emphasis Falls on Reality; The Farewell Stairway; Words; POETIC STATEMENT; The Forces of the Imagination |
IMPLACABLE POET, PURPLE BIRDSThe Work of Barbara Guest; LYN HEJINIAN; POEMS; From Writing Is an Aid to Memory; From Happily; POETIC STATEMENT; Some Notes toward a Poetics; Parting with Description; BRENDA HILLMAN; POEMS; A Geology; POETIC STATEMENT; Twelve Writings toward a Poetics of Alchemy, Dread, Inconsistency, Betweenness, and California Geological Syntax; "NEEDING SYNTAX TO LOVE"; Expressive Experimentalism in the Work of Brenda Hillman; SUSAN HOWE; POEMS; From Chair; POETIC STATEMENT; There Are Not Leaves Enough to Crown to Cover to Crown to Cover; ARTICULATING THE INARTICULATE |
Singularities and the Countermethod in Susan HoweANN LAUTERBACH; POEMS; In the Museum of the Word (Henri Matisse); STONES (Istanbul, Robert Smithson); POETIC STATEMENT; As (It) Is: Toward a Poetics of the Whole Fragment; "Enlarging the Last Lexicon of Perception" in Ann Lauterbach's Framed Fragments; HARRYETTE MULLEN; POEMS; Wino Rhino; Fancy Cortex; Music for Homemade Instruments; The Anthropic Principle; Sleeping with the Dictionary; POETIC STATEMENT; Imagining the Unimagined Reader; "SLEEPING WITH THE DICTIONARY"; Harryette Mullen's "Recyclopedia,"; CONTRIBUTORS |
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Sommario/riassunto |
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A thought-provoking mix of poetry, creative manifesto and criticism. |
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