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1. |
Record Nr. |
UNINA9910460929803321 |
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Autore |
Tenney James |
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Titolo |
From scratch : writings in music theory / / James Tenney ; edited by Larry Polansky [and three others] |
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Pubbl/distr/stampa |
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Urbana, [Illinois] : , : University of Illinois Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Composers |
Music theorists |
Music theory |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction / Larry Polansky -- On the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg (1959) -- Meta [does not equal] Hodos (1961) -- Computer music experiences, 1961-1964 (1964) -- On the physical correlates of timbre (1965) -- Excerpts from "An experimental investigation of timbre---the violin" (1966) -- Form in twentieth-century music (1969-70) -- META Meta [does not equal] Hodos (1975) -- The chronological development of Carl Ruggles's melodic style (1977) -- Hierarchical temporal gestalt perception in music: a metric space model (with Larry Polansky) (1978-80) -- Introduction to "Contributions toward a quantitative theory of harmony" (1979) -- The structure of harmonic series aggregates (1979) -- John Cage and the theory of harmony (1983) -- Reflections after Bridge (1984) -- Review of Music as heard by Thomas Clifton (1985) -- About Changes: sixty-four studies for six harps (1987) -- Darmstadt lecture (1990) -- The several dimensions of pitch (1993/2003) -- On "crystal growth" in harmonic space (1993/2003) -- About Dispason (1996) -- Appendix 1. Pre-Meta [does not equal] Hodos (1959) -- Appendix 2. On musical parameters (ca. 1960-1961) -- Appendix 3. Excerpt from A history of |
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'consonance' and 'dissonance' (1988). |
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Sommario/riassunto |
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One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described "composer/theorist." Selections focus on his fundamental concerns--"what the ear hears"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition. |
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2. |
Record Nr. |
UNISA996396398503316 |
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Titolo |
To the honourable the knights, citizens and burgesses in Parliament assembled [[electronic resource] ] : the humble petition of multitudes of poor prisoners for debt that lie close confined in the King's Bench and Fleet . |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Soggetti |
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Debt, Imprisonment for - England |
Broadsides17th century.London (England) |
Great Britain Politics and government 1689-1702 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Place and date of publication suggested by Wing. |
Reproduction of original in Huntington Library. |
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Sommario/riassunto |
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