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1. |
Record Nr. |
UNINA9910460923603321 |
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Autore |
Grant Barry Keith <1947-> |
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Titolo |
The Hollywood film musical [[electronic resource] /] / Barry Keith Grant |
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Pubbl/distr/stampa |
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Chichester [England], : Wiley-Blackwell, 2012 |
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ISBN |
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1-4051-8253-9 |
1-118-23180-5 |
1-280-59848-4 |
9786613628312 |
1-118-23181-3 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (180 p.) |
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Collana |
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New approaches to film genre |
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Disciplina |
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Soggetti |
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Musical films - United States - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- New Approaches to Film Genre -- Title Page -- Copyright -- Dedication -- List of Plates -- Acknowledgments -- Introduction -- Chapter 1: Historical Overview -- Before Cinema -- The Arrival of Sound -- Depression-Era Musicals -- World War II -- The "Golden Age" -- Postwar Decline -- Rock 'n' Roll is Here to Stay -- Music Video -- New Steps -- Chapter 2: Critical Overview -- Apparatus -- Community and Utopia -- Romance, Sexuality, and Gender -- Race -- Chapter 3: Gold Diggers of 1933 (1933) -- Chapter 4: Top Hat (1935) -- Chapter 5: The Pirate (1948) -- Chapter 6: West Side Story (1961) and Saturday Night Fever (1977) -- Chapter 7: Woodstock (1970) -- Chapter 8: Phantom of the Paradise (1974) -- Chapter 9: Pennies from Heaven (1981) and Across the Universe (2007) -- References -- Index. |
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2. |
Record Nr. |
UNINA9910797003503321 |
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Autore |
Harrington Sean |
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Titolo |
The Disney fetish [[electronic resource] /] / Seán Harrington |
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Pubbl/distr/stampa |
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Hertfordshire, England : , : John Libbey Publishing, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (380 p.) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Half title; Title; Copyright; Contents; Preface; Acknowledgements; Introduction; Part One The Homunculus; Chapter 1 A Theoretical Context; Chapter 2 Psycho-mythology; Walt Disney; Alice in Cartoon-land; Chapter 3 The Phallus and Disney Animation; Oswald the Lucky Rabbit; Mickey Mouse and Donald Duck, the Ego Ideal and the Id; Steamboat Willy; The Duck; Analysis; Chapter 4 The Conceptual Homunculus; Fetishism; Anality and Rivalry in the Silly Symphonies series; Part Two The Regressive Apparatus; Chapter 5 Disney Character Tropes; Mass Appeal and Regression; A Disney Apparatus |
Snow White Disney Character Tropes; Chapter 6 The Industrial Process and the Father; A Lexicon of Regression; Absent Fathers: Disney and the Real Boy; Malevolence and the Castrating Fathers; Threat to the Homuncule Body; Chapter 7 Fantasia and Eroticism; Fantasia's Utopia; Pastoral Symphony; The Sorcerer's Apprentice; Death of the Dinosaurs; A Night on Bald Mountain; Chapter 8 Regression and Jouissance; The Regressive; The Law and the Primordial in Regression; Dumbo: Regressive Narratives; Ugly Children; Bambi: Death of the Mother and Jouissance; Violence and the Cartoon Body in Bambi |
Part Three The Hybrid Utopia Chapter 9 Hegemony; Unionisation and the Disney Strike; Films Made in Studio During the Strike; Chapter 10 Disney's 'Good Neighbour'; The Three Caballeros: Hyper-real Sexuality and Cartoon Jouissance; Communist witch-hunts and red fear; Chapter 11 World War II and Propaganda; The Production of Canadian Propaganda; The United States Enters the War; Donald gets Drafted; |
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The Cartoon Body: Sadism, Exaggeration and Manipulation; Propaganda, pornography and utopia; Chapter 12 The Consumerist Utopia; Television and Disneyland |
Feature-length Films of the 50's and 60's: Familial Sexuality Walt Disney's Death and Walt Disney World; Conclusion; Future Research and End Notes; References, Filmography, Studios, Digital Rights; Index |
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Sommario/riassunto |
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Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple. Against a historical backdrop of studio history, audience reception, and the industrial-organizational apparatus of Disney media, Seán Harrington examines the Disney classics through a psychoanalytical framework to explore the spirit of devotion, fandom, and frenzy that is instilled in consumers of Disney |
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