1.

Record Nr.

UNINA9910460803703321

Autore

Crane Ralph

Titolo

Cave : nature and culture / / Ralph Crane and Lisa Fletcher

Pubbl/distr/stampa

London, England : , : Reaktion Books, , 2015

©2015

ISBN

1-78023-460-0

Descrizione fisica

1 online resource (224 p.)

Collana

Earth Series

Disciplina

551.447

Soggetti

Caves

Caves in literature

Caves in art

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

""Cover""; ""Cave""; ""Imprint Page""; ""Contents""; ""Preface""; ""1. What is a Cave?""; ""2. Speaking of Speleology""; ""3. Troglodytes and Troglobites: Living in the Dark Zone""; ""4. Cavers, Potholers and Spelunkers: Exploring Caves""; ""5. Monsters and Magic: Caves in Mythology and Folklore""; ""6. Visually Rendered: The Art of Caves""; ""7. �Caverns measureless to man�: Caves in Literature""; ""8. Sacred Symbols: Holy Caves""; ""9. Extraordinary to Behold: Spectacular Caves""; ""Notable Caves""; ""References""; ""Select Bibliography""; ""Associations and Websites""

""Acknowledgements""""Photo Acknowledgements""; ""Index""

Sommario/riassunto

To enter caves is to venture beyond the realm of the everyday. From huge vaulted caverns to impassable, water-filled passages; from the karst topography of Guilin in China to the lava tubes of Hawaii; from tiny remote pilgrimage sites to massive tourism enterprises, caves are places of mystery. Dark spaces that remain largely unexplored, caves are astonishing wonders of nature and habitats for exotic flora and fauna.This book investigates the natural and cultural history of caves and considers the roles caves have played in the human imagination and experience of the natural world. It explores



2.

Record Nr.

UNINA9910456384603321

Autore

Rutherford Paul

Titolo

When television was young : primetime Canada 1952-1967 / / Paul Rutherford

Pubbl/distr/stampa

Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1990

©1990

ISBN

1-282-05615-8

9786612056154

1-4426-8333-3

Descrizione fisica

1 online resource (672 p.)

Disciplina

384.550971

Soggetti

Television broadcasting - Canada - History

Television programs - Canada - History

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Frontmatter -- Contents -- Graphics -- Acknowledgments -- Introduction: A Personal Journey -- 1. Expectations -- 2. Enter CBC-TV -- 3. What's on Tonight? -- 4. Enter CTV -- 5. Information for Everyone -- 6. Variety's Heyday -- 7. In Gameland -- 8. Culture on the Small Screen -- 9. 'And Now a Word from Our Sponsors' -- 10. Storytelling -- 11. Versions of Reality -- 12. On Viewing -- Afterword: Understanding Television -- APPENDIX I: Forms and Genres -- APPENDIX II: Viewing Analysis -- Notes -- Primary Sources -- Index

Sommario/riassunto

A decade after the first Canadian telecasts in September 1952, TV had conquered the country. Why was the little screen so enthusiastically welcomed by Canadians? Was television in its early years more innovative, less commercial, and more Canadian than current than current offerings? In this study of what is often called the 'golden age' of television, Paul Rutherford has set out to dispel some cherished myths and to resurrect the memory of a noble experiment in the making of Canadian culture. He focuses on three key aspects of the story. The first is the development of the national service, including the



critical acclaim won by Radio-Canada, the struggles of the CBC's English service to provide mass entertainment that could compete with the Hollywood product, and the effective challenge of private television to the whole dream of public broadcasting.The second deals with the wealth of made-in-Canada programming available to please and inform viewers - even commercials receive close attention. Altogether, Rutherford argues, Canadian programming reflected as well as enhanced the prevailing values and assumptions of the mainstream.The final focus is on McLuhan's Question: What happens to society when a new medium of communications enters the picture? Rutherford's findings cast doubt upon the common presumptions about the awesome power of television.Television in Canada, Rutherford concludes, amounts to a failed revolution. It never realized the ambitions of its masters or the fears of its critics. Its course was shaped not only by the will of the government, the power of commerce, and the empire of Hollywood, but also by the desires and habits of the viewers.