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Record Nr. |
UNINA9910460711803321 |
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Autore |
Bion Talamo Parthenope |
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Titolo |
Maps for psychoanalytic exploration / / by Parthenope Bion Talamo |
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Pubbl/distr/stampa |
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Boca Raton, FL : , : Routledge, an imprint of Taylor and Francis, , [2018] |
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©2015 |
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ISBN |
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0-429-90184-4 |
0-429-47707-4 |
1-78241-266-2 |
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Descrizione fisica |
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1 online resource (285 p.) |
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Disciplina |
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Soggetti |
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Psychoanalysis |
Psychoanalytic theory |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Karnac Books would like to thank the Melanie Klein Trust for their generous support in the translation of this title." |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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COVER; CONTENTS; PREFACE; FOREWORD; INTRODUCTION; CHAPTER ONE Why we can't call ourselves Bionians (1987): notes on the life and work of W. R. Bion; CHAPTER TWO Psychoanalysis is a "poppy field" (1988): "vision" in analysis; a divertissement about the vertex; CHAPTER THREE Ps= D (1981); CHAPTER FOUR The role of the group with regard to the "unthinkability" of nuclear war (1987); CHAPTER FIVE On "non-therapeutic" groups (1989): the use of the "task" as a defence against anxieties |
CHAPTER SIX Warum Krieg? (1990): the Freud-Einstein correspondence in the context of psychoanalytic social thoughtCHAPTER SEVEN Aggressiveness-bellicosity and belligerence (1991): passing from the mental state to active behaviour; CHAPTER EIGHT The creation of mental models (1992): basic and ephemeral models; CHAPTER NINE Experiences in Groups revisited (1992); CHAPTER TEN Some notes on the theories of structure and mental functioning underlying A Memoir of the Future by W. R. Bion (1993): festschrift for Francesco Corrao; CHAPTER ELEVEN From free-floating attention to dream work-α (1993) |
CHAPTER TWELVE Inside and outside the transference: more versions of |
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the same story (1995)-or: history versus geography?CHAPTER THIRTEEN The concept of the individual in the work of W. R. Bion, with particular reference to Cogitations (1996); CHAPTER FOURTEEN The two sides of the caesura (1996); CHAPTER FIFTEEN Bion and the group: knowing, learning, teaching (1996); CHAPTER SIXTEEN Bion's contribution to psychoanalysis (1996); CHAPTER SEVENTEEN Bion: a Freudian innovator (1997); CHAPTER EIGHTEEN Dreams (1998); CHAPTER NINETEEN From formless to form (1998) |
CHAPTER TWENTY Laying low and saying (almost) nothing (1998)REFERENCES; FURTHER READING; INDEX |
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Sommario/riassunto |
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Maps for Psychoanalytic Exploration brings together the author's main works, until now published only in Italian. They are made available to a wider readership in this volume through a translation into English by Shaun Whiteside, supported by the generosity of the members of the Melanie Klein Trust. In these chapters the author explores important implications of her father's ideas at different levels of psychic and social organisation. Her writing is very clear and, as Dr Anna Bauzzi, the Editor of the Italian edition, writes in her Introduction, the quality of it makes many of Bion's ideas more accessible, without any reduction of their complexity. |
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2. |
Record Nr. |
UNINA9910788936103321 |
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Autore |
Shepherd David <1972-> |
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Titolo |
The Bible on silent film : spectacle, story and scripture in the early cinema / / David J. Shepherd [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2013 |
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ISBN |
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1-107-50290-X |
1-139-89356-4 |
1-107-50129-6 |
1-107-50667-0 |
1-107-51706-0 |
1-107-33715-1 |
1-107-49737-X |
1-107-50400-7 |
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Descrizione fisica |
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1 online resource (xii, 320 pages) : digital, PDF file(s) |
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Classificazione |
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Disciplina |
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Soggetti |
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Bible films - History and criticism |
Silent films - Religious aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Introduction -- 1. 'Like one of the prophets of old': passions and cameos -- 2. 'See this great sight': spectacle and miracle -- 3. 'That my wonders may be multiplied': Blackton and elaboration -- 4. 'How are the mighty fallen': Feuillade and tragedy -- 5. 'All the country wept aloud': Andréani and melodrama -- 6. 'The top of it reached to heaven': Griffith, analogy and scale -- 7. 'She came close to his bed': vamps and other leading ladies -- 8. 'But Pharaoh hardened his heart': Exodus and Egypt -- 9. 'The end of these wonders?': The triumph of spectacle -- Afterword. |
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Sommario/riassunto |
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Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film through the silent era, asking why the Bible attracted early |
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film makers, how biblical films were indebted to other interpretive traditions, and how these films were received. Drawing upon rarely seen archival footage and early landmark films of directors such as Louis Feuillade, D. W. Griffith, Michael Curtis and Cecil B. DeMille, this history treats well-known biblical subjects including Joseph, Moses, David and Jesus, along with lesser-known biblical stars such as Jael, Judith and Jephthah's daughter. This book will be of great interest to students of Biblical studies, Jewish studies and film studies. |
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