1.

Record Nr.

UNINA9910460520403321

Autore

Felix-Jager Steven

Titolo

Pentecostal aesthetics : theological reflections in a pentecostal philosophy of art and aesthetics / / by Steven Félix-Jager ; with a foreword by Amos Yong

Pubbl/distr/stampa

Leiden, The Netherlands : , : Koninklijke Brill, , 2015

©2015

ISBN

90-04-29162-8

Descrizione fisica

1 online resource (236 p.)

Collana

Global Pentecostal and Charismatic Studies, , 1876-2247 ; ; Volume 16

Disciplina

261.5/7

Soggetti

Aesthetics - Religious aspects - Pentecostal churches

Art - Philosophy

Pentecostal churches - Doctrines

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Preliminary Material / Steven Félix-Jäger -- Introduction / Steven Félix-Jäger -- The Broader Context / Steven Félix-Jäger -- An Ontological Foundation / Steven Félix-Jäger -- Inspired by the Spirit / Steven Félix-Jäger -- Universal Beauty / Steven Félix-Jäger -- Aesthetics of Hope / Steven Félix-Jäger -- Art and Creation as Play / Steven Félix-Jäger -- Serious Art / Steven Félix-Jäger -- Church Art / Steven Félix-Jäger -- Conclusion / Steven Félix-Jäger -- Bibliography / Steven Félix-Jäger -- Index / Steven Félix-Jäger.

Sommario/riassunto

Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics , with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections



concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit’s work in today’s contemporary artworld.