|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910460362103321 |
|
|
Autore |
Mahadevan Sudhir <1973-> |
|
|
Titolo |
A very old machine : the many origins of the cinema in India / / Sudhir Mahadevan |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Albany, New York : , : SUNY Press, , 2015 |
|
©2015 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (258 p.) |
|
|
|
|
|
|
Collana |
|
SUNY series, Horizons of Cinema |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures - India - History |
Motion picture industry - India - History |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Contents; Illustrations; Acknowledgments; Introduction; The Argument; Imaginaries; The Structure of the Book; Part I: Obsolescence; 1. The Nineteenth-Century Indian Techno-Bazaar; From Novelty to Apparatus: Photography's Material Cultures; Formal Expertise and Informal Know-How; Proto-Global Influences: The Scalar and Spatial Logic of Empire; Conclusion; 2 Traveling Showmen, Makeshift Cinemas: The Bioscopewallah and Early Cinema; Phantasmagoria Shows; Lantern Slides, Kinetoscopes, and Junk Films; Mobile cinema and Visual Education; A Recycled Modernity |
Part II: Mechanical Reproduction and Mass Culture3 Copyright and Cultural Authenticity: The Politics of Mechanical Reproduction in South Asia; Introduction; Empire and the Impossibility of Originality; From Genius to Genus; Turning the Tables: The Nationality of the Image; Cultural Patrimony Meets "Popular" Culture; 4 The Cinema as Mass Culture: The Melodramas of Mechanical Reproduction; Phalke the Craftsman; The Craftsman in the Meshes of Pirate Networks; Cinema as Mass Culture in Postcolonial India; Postscripts: Reminiscing the Age of Prints; Part III: Intermediality |
5 The Emergence of Topicality: Snapshot Cultures and Newspaper PhotojournalismBicycle Photography; The Ethnographic and the Picturesque Image; Photo-Illustrations and Film; Mimesis or |
|
|
|
|