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Record Nr. |
UNINA990001711720403321 |
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Autore |
Felizet, L. |
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Titolo |
Dictionnaire veterinaire / L. Felizet |
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Pubbl/distr/stampa |
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Paris : J. Rothschild, 1870 |
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Descrizione fisica |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910460038803321 |
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Titolo |
Die Tragödie der Moderne [[electronic resource] ] : Gattungsgeschichte, Kulturtheorie, Epochendiagnose / / herausgegeben von Daniel Fulda und Thorsten Valk |
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Pubbl/distr/stampa |
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Berlin, : De Gruyter, 2010 |
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ISBN |
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1-282-78415-3 |
9786612784156 |
3-11-023291-X |
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Descrizione fisica |
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1 online resource (378 p.) |
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Collana |
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Klassik und Moderne : Schriftenreihe der Klassik Stiftung Weimar, , 1869-2346 ; ; Bd. 2 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Tragedy |
Drama - 19th century - History and criticism |
Drama - 20th century - History and criticism |
Literature - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Frontmatter -- Inhaltsverzeichnis -- Einleitung -- »Ähnlichkeit zwischen uns und dem leidenden Subjekt« -- Tragödie der Scham, Trauerspiel der Schuld -- Schillers Braut von Messina -- Ultima Katharsis -- Der »gräßliche Fatalismus der Geschichte« und die Funktion des Theodizee-Diskurses in Georg Büchners Dantons Tod -- »Eine Tragödie von der erschütterndsten Wirkung« -- ›Dionysos‹ -- Katharsis und Ekstasis -- Zwischen Assimilation und Selbstbehauptung -- Existentialismus und Tragödie -- »Parodierte Peripetie« oder »Der Endpunkt liegt schon hinter uns« -- Pathos versus »Wurstelei« -- Wirtschaft als Tragödie -- Wiederholung, Kollektivierung und Epik -- Formen der Tragödie in der Moderne -- Backmatter |
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Sommario/riassunto |
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Around 1800 the modern tragedy manifested itself in constant dispute with a philosophical tragedy discourse, making the traditional genre criteria which were still mainly oriented on Aristotle's drama aesthetics fade into the background and bringing to the fore definition attempts which were grounded in cultural theory. The tension between the philosophical discourse and concrete theatre practice led in the 19th and 20th centuries to initiatives of drama-aesthetic innovation which lastingly changed the physiognomy of modern tragedy. |
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