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1. |
Record Nr. |
UNINA9910456837803321 |
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Autore |
Denzin Norman K. |
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Titolo |
Custer on canvas : representing Indians, memory, and violence in the new West / / Norman K. Denzin |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2016 |
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ISBN |
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1-315-43076-2 |
1-315-43077-0 |
1-61132-798-9 |
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Descrizione fisica |
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1 online resource (297 p.) |
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Disciplina |
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Soggetti |
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Little Bighorn, Battle of the, Mont., 1876 |
Little Bighorn, Battle of the, Mont., 1876, in art |
Indians in art |
Indians in popular culture - Montana - Little Bighorn Battlefield |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First published 2011 by Left Coast Press, Inc. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction; Dramatis Personae; Chapter One - A Good Day to Die: The Battle of Many Names; Chapter Two - Whose Last Stand? The Early Paintings; Chapter Three - Whose Custer?; Chapter Four - Killing Custer; Chapter Five - Here Fell Custer: An Autoethnography of a Painting; Chapter Six - Custer's Last Rally; Chapter Seven - The Last Stand; Appendix A - Timeline: The Plains Indian Wars (1860-1890) and the Battle of Many Names (1876); Appendix B - Timeline: Paintings of the Battle of Many Names; Appendix C - Timeline: William F. "Buffalo Bill" Cody; Notes |
List of Plates and CreditsReferences; Index; About the Author; Section of color plates |
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Sommario/riassunto |
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The 1876 events known as Custer's Last Stand, Battle of Little Big Horn, or Battle of Greasy Grass have been represented over 1000 times in various artistic media, from paintings to sculpture to fast food giveaways. Norman Denzin shows how these representations demonstrate the changing perceptions-often racist-of Native America by the majority culture, juxtaposed against very different readings |
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shown in works composed by Native American artists. Consisting of autobiographical reminiscences, historical description, artistic representations, staged readings, and snippets of documents, this |
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2. |
Record Nr. |
UNINA9910459892703321 |
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Autore |
Levine Alison J. Murray (Alison Joan Murray), <1968-> |
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Titolo |
Framing the nation : documentary film in interwar France / / Alison J. Murray Levine |
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Pubbl/distr/stampa |
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New York : , : Continuum, , 2010 |
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ISBN |
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1-62892-872-7 |
1-282-55212-0 |
9786612552120 |
1-4411-6986-5 |
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Descrizione fisica |
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1 online resource (238 p.) |
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Disciplina |
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Soggetti |
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Documentary films - Social aspects - France - History - 20th century |
Documentary films - France - History and criticism |
France History 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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1. An Introduction -- 2. Truth Peddling: Documentary Film in Interwar France -- 3. "The Revolt of the Beets": Educational Film in Rural France -- 4. "Model Native Villages:" Educational Film in the French Colonies -- 5. "Mysterious and Subtle Cheesemaking": Filming Rural France -- 6. "Carcasses of Manioc-Eaters": Filming Colonial France -- 7. Conclusion: Recycling Rural Images - The Vichy Propaganda Machine -- |
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Sommario/riassunto |
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Framing the Nation: Documentary Film in Interwar France argues that, between World Wars I and II, documentary film made a substantial contribution to the rewriting of the French national narrative to include rural France and the colonies. The book mines a significant body of virtually unknown films and manuscripts for their insight into revisions of French national identity in the aftermath of the Great War. From 1918 onwards, government institutions sought to advance social |
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programs they believed were crucial to national regeneration. They turned to documentary film, a new form of mass communication, to do so. Many scholars of French film state that the French made no significant contribution to documentary film prior to the Vichy period. Using until now overlooked films, Framing the Nation refutes this misconception and shows that the French were early and active believers in the uses of documentary film for social change - and these films reached audiences far beyond the confines of commercial cinema circuits in urban areas. |
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3. |
Record Nr. |
UNINA9910694082603321 |
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Titolo |
Corruption in the United Nations Oil-for-Food Program : reaching a consensus on United Nations reform : hearing before the Permanent Subcommittee on Investigations of the Committee on Homeland Security and Governmental Affairs, United States Senate, One Hundred Ninth Congress, first session, October 31, 2005 |
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Descrizione fisica |
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1 online resource (iii, 497 p.) : ill |
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Soggetti |
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Humanitarian assistance - Iraq |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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