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Record Nr. |
UNINA9910459349703321 |
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Titolo |
A boy named Sue [[electronic resource] ] : gender and country music / / edited by Kristine M. McCusker and Diane Pecknold |
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Pubbl/distr/stampa |
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Jackson, : University Press of Mississippi, c2004 |
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ISBN |
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1-282-55561-8 |
9786612555619 |
1-60473-956-8 |
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Descrizione fisica |
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1 online resource (257 p.) |
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Collana |
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American made music series |
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Altri autori (Persone) |
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McCuskerKristine M |
PecknoldDiane |
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Disciplina |
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Soggetti |
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Country music - History and criticism |
Femininity in popular culture |
Masculinity in popular culture |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Foreword: Muddying the Clear Water: The Dubious Transparency of Country Music; Acknowledgments; Introduction; Bibliography and Further Reading; "Bury Me Beneath the Willow": Linda Parker and Definitions of Tradition on the National Barn Dance, 1932-1935; "Spade Doesn't Look Exactly Starved": Country Music and the Negotiation of Women's Domesticity in Cold War Los Angeles; Charline Arthur: The (Un)Making of a Honky-Tonk Star; I Don't Think Hank Done It That Way: Elvis, Country Music, and the Reconstruction of Southern Masculinity |
"I Wanna Play House": Configurations of Masculinity in the Nashville Sound Era Patsy Cline's Crossovers: Celebrity, Reputation, and Feminine Identity; Dancing Together: The Rhythms of Gender in the Country Dance Hall; Between Riot Grrrl and Quiet Girl: The New Women's Movement in Country Music; Going Back to the Old Mainstream No Depression, Robbie Fulks, and Alt.Country's Muddied Waters; Postlude; Notes; Contributors; Index |
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Sommario/riassunto |
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From the smiling, sentimental mothers portrayed in 1930's radio barn |
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