1.

Record Nr.

UNISA990005592870203316

Autore

KUHLMANN, Wolfgang

Titolo

Reflexive Letztbegrundung : Untersuchungen zur Transzendentalpragmatik / Wolfgang Kuhlmann

Pubbl/distr/stampa

München : Alber, 1985

Descrizione fisica

346 p. ; 21 cm.

Disciplina

141.3

Soggetti

Conoscenza - Fondamento

Collocazione

CC 141.3 KUH

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910459210803321

Autore

Bednarek Monika <1977->

Titolo

The language of fictional television [[electronic resource] ] : drama and identity / / Monika Bednarek

Pubbl/distr/stampa

New York, NY, : Continuum International Pub. Group, 2010

ISBN

1-282-80644-0

9786612806445

1-4411-0527-1

Descrizione fisica

1 online resource (294 p.)

Disciplina

302.23/45

Soggetti

Television broadcasting - Language

Television series - United States

Television series - Great Britain

Mass media and language

English language - Usage

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia



Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Contents; Acknowledgements; 1. Introduction; Part I: Fictional Television: Dialogue and Drama; 2. Analysing Television; 3. The Genre of Dramedy and its Audience; 4. Television Dialogue; Part II: Fictional Television: Character Identity; 5. Dialogue and Character Identity; 6. Expressive Character Identity and Emotive Interjections; 7. The Multimodal Performance; 8. Expressive Character Identity and Ideology: Shared Attitudes; 9. Conclusion; Appendices; Notes to Appendices; References; Indices; General Index; Index of Television Programmes

Sommario/riassunto

In this book, Monika Bednarek addresses the need for a systemic analysis of television discourse and characterization within linguistics and media studies.   She presents both corpus stylistics and 'manual' analysis of linguistic and multimodal features of fictional television. The first part focuses on communicative context, multimodality, genre, audience and scripted television dialogue while the second part focuses on televisual characterization, introducing and illustrating the novel concept of 'expressive character identity.'. Aside from the study of television dialogue, which informs it



3.

Record Nr.

UNINA9910511808903321

Autore

Thormod Kaspar <1984->

Titolo

Artistic reconfigurations of Rome : an alternative guide to the Eternal City, 1989-2014 / / by Kaspar Thormod ; with a preface by Mieke Bal

Pubbl/distr/stampa

Leiden ; ; Boston : , : Brill Rodopi, , 2019

ISBN

90-04-39421-4

Descrizione fisica

1 online resource (250 pages)

Collana

Spatial practices : an interdisciplinary series in cultural history, geography and literature ; ; volume 29

Disciplina

709.04

Soggetti

Art, Modern - 20th century - Themes, motives

Art, Modern - 21st century - Themes, motives

Visitors, Foreign - Psychology

Artists - Psychology

Electronic books.

Rome (Italy) In art

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front Matter -- Copyright Page -- Preface -- Acknowledgements -- List of Illustrations -- Introduction: International artists in Rome -- Institutions: Making the Foreign Academies in Rome -- Sites: Negotiating the Spectacle of Rome -- People: Portraying the Romans -- History: Re-envisioning Roman Narratives -- Art: Creating a Rome of One’s Own -- Rome Maps -- Inventory of Artists -- Back Matter -- Bibliography -- Notes -- Index.

Sommario/riassunto

In Artistic Reconfigurations of Rome Kaspar Thormod examines how visions of Rome manifest themselves in artworks produced by international artists who have stayed at the city’s foreign academies. Structured as an alternative guide to Rome, the book represents an interdisciplinary approach to creating a dynamic visual history that brings into view facets of the city’s diverse contemporary character. Thormod demonstrates that when artists successfully reconfigure Rome they provide us with visions that, being anchored in a present, undermine the connotations of permanence and immovability that cling to the ‘Eternal City’ epithet. Looking at the work of these artists, the



reader is invited to engage critically with the question: what is Rome today? – or perhaps better: what can Rome be?