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Record Nr. |
UNINA9910459181103321 |
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Autore |
Clarke David |
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Titolo |
Tippett Studies [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge, : Cambridge University Press, 1999 |
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ISBN |
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1-107-17296-9 |
0-511-37020-2 |
0-511-48199-3 |
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Descrizione fisica |
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1 online resource (250 p.) |
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Collana |
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Cambridge Composer Studies |
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Disciplina |
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Soggetti |
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Composers -- England -- Correspondence |
Composers -- Great Britain -- Correspondence |
Tippett, Michael, 1905-1998 -- Correspondence |
Tippett, Michael, 1905-1998 -- Criticism and interpretation |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V |
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V |
Appendix: glossary of terms used in pitch-class set theoryIndex |
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