|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910459046203321 |
|
|
Autore |
Lamari Anna A |
|
|
Titolo |
Narrative, intertext, and space in Euripides' Phoenissae [[electronic resource] /] / by Anna A. Lamari |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berlin, : Walter de Gruyter, 2010 |
|
|
|
|
|
|
|
ISBN |
|
1-282-88519-7 |
9786612885198 |
3-11-024593-0 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (262 p.) |
|
|
|
|
|
|
Collana |
|
Trends in classics. Supplementary volumes ; ; v. 6 |
|
|
|
|
|
|
Classificazione |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Narration (Rhetoric) |
Seven against Thebes (Greek mythology) in literature |
Polyneices (Greek mythology) |
Eteocles (Greek mythology) |
Electronic books. |
Thebes (Greece) In literature |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Theorizing tragic narration -- Retelling the past, shaping the future: onstage narrative and offstage allusions (1-689) -- Violating expectations: offstage narrative and the play's open end (670-1766) -- Intertextuality -- Space -- Conclusions -- Myth for all: the play's flexi-narrative -- Appendix I: the trilogy -- Appendix II: the text. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Euripides' Phoenissae bears one of the richest tragic plots: multiple narrative levels are interwoven by means of various anachronies, focalizers offer different and often challenging points of view, while a complex mythical matrix is deftly employed as the backdrop against which the exploration of the mechanics of tragic narrative takes place. After providing a critical perspective on the ongoing scholarly dialogue regarding narratology and drama, this book uses the former as a working tool for the study and interpretation of the latter. The Phoenissae is approached as a coherent narrative unit and issues like the use of myth, narrators, intertext, time and space are discussed in detail. It is within these contexts that the play is seen as a Theban |
|
|
|
|