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Record Nr. |
UNINA9910458756503321 |
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Titolo |
Russian émigré culture : conservatism or evolution? / / edited by Christoph Flamm, Henry Keazor and Roland Marti |
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Pubbl/distr/stampa |
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Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 |
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©2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (353 p.) |
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Disciplina |
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Soggetti |
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Music - Soviet Union - History and criticism |
Russians - Foreign countries |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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TABLE OF CONTENTS; PREFACE; "MY LOVE, FORGIVE ME THIS APOSTASY"; SECTION 1; THE PARTICIPATION OF RUSSIAN PRE-REVOLUTIONARY DIPLOMATS IN THE CULTURAL LIFE OF THE RUSSIAN EMIGRATION; [WHAT IS IT THAT THE EMIGRATION ENGENDERED?] -ANDREY BELY, VIKTOR SHKLOVSKY AND ALEKSEY TOLSTOY IN 'RUSSIAN BERLIN'1921-1923; UN ENFANT PRODIGE; SECTION 2; WHAT IS ARTISTIC FORM?MUNICH - MOSCOW 1900-1925; EL LISSITZKY, HIS BEAT THE WHITESWITH THE RED WEDGEAND THEIR JEWISH INSPIRATIONS; RUSSIAN ÉMIGRÉ ARTISTS IN SERBIA(1920-1950); IDENTITY-SHOCK; SECTION 3 |
RUSSIAN COLLECTIVE IDENTITY IN EXILE AND MUSIC IN BERLIN 1917-1933 RUSSIAN MUSIC INSTITUTIONS IN BERLIN IN THE 1920's; "SLAVIC CHARM AND THE SOUL OF TOLSTOY"; STRAVINSKY'S SVADEBKA (1917-1923)AS THE QUINTESSENCE OF THE TECHNIQUE OF "BUILDING BLOCKS"; EURASIANISM IN PERSPECTIVE; MUSICAL MODERNISM IN THE MIRROR OF THE MYASKOVSKY-PROKOF'EV CORRESPONDENCE; VANKA THE HOUSEKEEPER BY NIKOLAY TCHEREPNIN AND LADY MACBETH BY DMITRY SHOSTAKOVICH; "I HAVE NO COUNTRY, I HAVE NO PLACE"; CONTEMPORARY ÉMIGRÉ COMPOSERS; ABSTRACTS; CONTRIBUTORS; INDEX |
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Sommario/riassunto |
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A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the c... |
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