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Record Nr. |
UNINA9910458705003321 |
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Autore |
Crowley Cheryl A |
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Titolo |
Haikai poet Yosa Buson and the Bashō revival [[electronic resource] /] / by Cheryl A. Crowley |
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Pubbl/distr/stampa |
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Leiden ; ; Boston, : Brill, 2007 |
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ISBN |
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1-281-45830-9 |
9786611458300 |
90-474-1191-9 |
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Descrizione fisica |
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1 online resource (320 p.) |
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Collana |
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Brill's Japanese studies library ; ; v. 27 |
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Disciplina |
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Soggetti |
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Haikai - History and criticism |
Japanese poetry - Edo period, 1600-1868 - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [292]-300) and index. |
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Nota di contenuto |
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Preliminary Materials / C.A. Crowley -- Introduction / C.A. Crowley -- Chapter One. Buson, The Bunjin (Literati), And The Bashō Revival / C.A. Crowley -- Chapter Two. Buson And His Audience: Anxiety And Transcendence / C.A. Crowley -- Chapter Three. Anxiety And The Formation Of A Poet: Hokku 1740–1770 / C.A. Crowley -- Chapter Four. An Unarmed Blossom Guard: Hokku 1771–1783 / C.A. Crowley -- Chapter Five. Resisting Communality: Linked Verse Sequences / C.A. Crowley -- Chapter Six. Buson And Haiga / C.A. Crowley -- Epilogue / C.A. Crowley -- Appendix / C.A. Crowley -- Bibliography / C.A. Crowley -- Cited Buson Hokku / C.A. Crowley -- Index / C.A. Crowley. |
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Sommario/riassunto |
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This book uses the haikai verse and paintings of the brilliant, innovative artist Yosa Buson (1716-1783) as a focal point from which to explore how Japanese writers competed for artistic authority in a time when popular responses to economic, technological, and social changes were creating the beginnings of a modern literature. The first part of the book discusses Buson's role in the Bashō Revival movement, situating his haikai in the context of the social networks that writers of his time both relied on and resisted. The second part explores Buson's hokku , linked verse, and haiga (haikai painting). The book concludes |
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