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1. |
Record Nr. |
UNIBAS000036856 |
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Autore |
Hephaestion Thebanus <4. saec.> |
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Titolo |
Apotelesmatica / Hephaestio Thebanus ; edidit David Pibngree |
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Pubbl/distr/stampa |
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Leipzig : BSB B. G. Teubner Verlagsgesellschaft |
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Descrizione fisica |
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Collana |
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Bibliotheca scriptorum Graecorum et Romanorum Teubneriana |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910458598903321 |
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Autore |
Hasty Christopher Francis |
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Titolo |
Meter as rhythm [[electronic resource] /] / Christopher F. Hasty |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 1997 |
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ISBN |
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1-280-52837-0 |
0-19-535653-5 |
1-4294-1447-2 |
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Descrizione fisica |
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1 online resource (329 p.) |
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Disciplina |
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Soggetti |
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Musical meter and rhythm |
Music |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 305-307) and index. |
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Nota di contenuto |
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Contents; ONE: General Characterization of the Opposition; TWO: Two Eighteenth-Century Views; THREE: Evaluations of Rhythm and Meter; FOUR: Distinctions of Rhythm and Meter in Three Influential American |
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Studies; FIVE: Discontinuity of Number and Continuity of Tonal "Motion"; SIX: Preliminary Definitions; SEVEN: Meter as Projection; EIGHT: Precedents for a Theory of Projection; NINE: Some Traditional Questions of Meter Approached from the Perspective of Projective Process; TEN: Metrical Particularity; ELEVEN: Obstacles to a View of Meter as Process; TWELVE: The Limits of Meter |
THIRTEEN: Overlapping, End as Aim, Projective TypesFOURTEEN: Problems of Meter in Early-Seventeenth-Century and Twentieth-Century Music; FIFTEEN: Toward a Music of Durational Indeterminacy; SIXTEEN: The Spatialization of Time and the Eternal "Now Moment"; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; P; R; S; T; V; W; Y; Z |
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Sommario/riassunto |
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This work presents a theory of musical duration. Drawing on insights from modern ""process"" philosophy, it advances a fully temporal perspective in which metre is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. |
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3. |
Record Nr. |
UNINA9910779410203321 |
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Autore |
Smith Orianne <1963-> |
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Titolo |
Romantic women writers, revolution and prophecy : rebellious daughters, 1786-1826 / / Orianne Smith, University of Maryland, Baltimore County [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2013 |
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ISBN |
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1-107-32688-5 |
1-107-23674-6 |
1-107-33664-3 |
1-107-33256-7 |
1-139-20884-5 |
1-107-33332-6 |
1-107-33498-5 |
1-299-40325-5 |
1-107-33581-7 |
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Descrizione fisica |
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1 online resource (x, 278 pages) : digital, PDF file(s) |
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Collana |
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Cambridge studies in Romanticism ; ; 98 |
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Disciplina |
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Soggetti |
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English fiction - Women authors - History and criticism |
English fiction - 19th century - History and criticism |
Romanticism - Great Britain |
Prophecy in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Verbal magic: an etymology of female enthusiasm -- The second coming of Hester Lynch Piozzi -- I, being the representative of liberty: Helen Maria Williams and the utopian performative -- The passion of the gothic heroine: Ann Radcliffe and the origins of narrative -- Anna Barbauld as enlightenment prophet -- Prophesying tragedy: Mary Shelley and the end of Romanticism. |
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Sommario/riassunto |
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Convinced that the end of the world was at hand, many Romantic women writers assumed the role of the female prophet to sound the alarm before the final curtain fell. Orianne Smith argues that their prophecies were performative acts in which the prophet believed herself to be authorized by God to bring about social or religious transformation through her words. Utilizing a wealth of archival material across a wide range of historical documents, including sermons, prophecies, letters and diaries, Orianne Smith explores the work of prominent women writers - from Hester Piozzi to Ann Radcliffe, from Helen Maria Williams to Anna Barbauld and Mary Shelley - through the lens of their prophetic influence. As this book demonstrates, Romantic women writers not only thought in millenarian terms, but they did so in a way that significantly alters our current critical view of the relations between gender, genre, and literary authority in this period. |
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