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1. |
Record Nr. |
UNINA9910458451003321 |
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Titolo |
Border management modernization [[electronic resource] /] / editors, Gerard McLinden [et al.] |
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Pubbl/distr/stampa |
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Washington, D.C., : World Bank, c2011 |
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ISBN |
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1-282-96652-9 |
9786612966521 |
0-8213-8597-6 |
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Descrizione fisica |
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1 online resource (1147 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Border security |
Boundaries |
National security |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Nota di contenuto |
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Cover; Title Page; Copyright; Foreword; Acknowledgments; Contents; Chapter 1: Introduction and Summary; Chapter 2: The Future of Border Management; Chapter 3: Border Management Modernization and the Trade Supply Chain; Chapter 4: Borders, their Design, and their Operation; Chapter 5: Building a Convincing Business Case for Border Management Reform; Chapter 6: Core Border Management Disciplines: Risk Based Compliance Management; Chapter 7: Information and Communications Technology and Modern Border Management |
Chapter 8: Developing a National Single Window: Implementation Issues and ConsiderationsChapter 9: Information and Communications Technology Procurement for Border Management; Chapter 10: The Role of the Private Sector in Border Management Reform; Chapter 11: Reform Instruments, Tools, and Best Practice Approaches; Chapter 12: Managing Organizational Change in Border Management Reform; Chapter 13: Nontariff Measures: Impact, Regulation, and Trade Facilitation; Chapter 14: Regional Integration and Customs Unions |
Chapter 15: Information and Communications Technology in Support of |
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Customs Unions: A case study of the European UnionChapter 16: Sanitary and Phytosanitary Measures and Border Management; Chapter 17: Transit Regimes; Chapter 18: The National Security Environment: Strategic Context; Chapter 19: Border Management Considerations in Fragile States; Chapter 20: Integrity Risk Modeling in the Border Management Context; Editors and Contributing Authors; Index; Back Cover |
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Sommario/riassunto |
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Border clearance processes by customs and other agencies are among the most important and problematic links in the global supply chain. It takes three times as many days, nearly twice as many documents, and six times as many signatures to import goods in poor countries than it does in rich ones. Delays and costs at the border undermine a countryâ€TMs competitiveness, either by taxing imported inputs with deadweight inefficiencies or by adding costs and reducing the competitiveness of exports. As countries have come to realize the importance of trade in achieving sustainable economic growth they |
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2. |
Record Nr. |
UNINA9910831005203321 |
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Titolo |
The (Im)possibility of Art Archives : Theories and Experience in/from Asia / / edited by Lu Pan |
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Pubbl/distr/stampa |
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Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
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ISBN |
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Edizione |
[1st ed. 2024.] |
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Descrizione fisica |
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1 online resource (xxxvii, 356 pages) : illustrations (some color) |
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Collana |
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Contemporary East Asian Visual Cultures, Societies and Politics, , 2662-771X |
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Disciplina |
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Soggetti |
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Art, Modern - 21st century |
Asia - Politics and government |
Art - History |
Culture - Study and teaching |
Culture |
Contemporary Art |
Asian Politics |
Art History |
Visual Culture |
Sociology of Culture |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Part I: Accumulation and Creation: The Birth of Archive -- Chapter 1: Diverse Voices of Japanese Modern and Contemporary Art: The Oral History Archives of Japanese Art -- Chapter 2: “Accumulation” and “Reward”: An Interview with Chen Tong on Video Bureau -- Chapter 3: RE-VISIONING THE ARCHIVES: On the Creation and Curation of a Relational and Decolonial Visual Art Archives in Asia -- Chapter 4: Hijikata Tatsumi Archive: A Pioneering Dance Archive in Japan -- Chapter 5: One-Man Archive: Koh Nguang How on the Possibilities of Archiving Singapore Art -- Part II: Deconstruction and Recreation: Artist, Curator and Research on Archive -- Chapter 6: Encountering Incompleteness: Archives, Institutions and Exhibition-making -- Chapter 7: The Need of Art Archives in India -- Chapter 8: The Timeless Plunge: The Ha Bik Chuen Archive -- Chapter 9: Endless Documents: Chinese Contemporary Art and Curatorial Practices in Archives -- Chapter 10: The Eyes of Archives: How Contemporary Taiwanese Video Art Set off a Revolt Regarding Japanese Colonial History -- Chapter 11: Expose: Archive of -- Matsuzawa Yutaka -- Chapter 12: It Takes a Village: Archives Talk Back -- Chapter 13: Others, A Night in Tokyo, Coconut Forest and Tigers: Observations of a Pseudo-Tourist -- Chapter 14: Muse -- the archive, archival/exhibiting turn -- Chapter 15: The Retrieval, Restoration, and Predicament Objects, Memories and Records in Wartime -- Chapter 16: Toward Archiveology: Regarding Nguyen Trinh Thi’s Essay Films -- Part III: The Public and Imagination: Archive as Self-Portrait of Community -- Chapter 17: The Relationship between Sendai Mediatheque’s Art Exhibitions and 3.11 Archives - A case study of “Record and Recalling: Walking on the House of Images” -- Chapter 18: Rescuing an image of one’s own: Memoirs of a Taiwanese folk image preservation movement -- Chapter 19: Archives Without Archivists: Notes on “I’m calling you. rebirth of humans and the elephant -- Chapter 20: Multitude Asia: Huang Sun-quan on Articulation, Network, Asian Visual Archive -- Chapter 21: Praxis of Praxis: Collaborative Art Archiving, Going beyond an Imagined Community toward a Community in Process -- Chapter 22: Archiving the Commons: Struggle of anti-gentrification and anti-eviction. |
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Sommario/riassunto |
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“This ambitious book provides a timely platform to celebrate contemporary art and curatorial practices in Asia working on, through and with visual archives. With the diverse range of contributions to reinventing the notion of ‘archive’, the ‘old’ is renewed.” —Jiang Jiehong, author of The Art of Contemporary China This edited volume aims to fill the gap in the research, juxtaposition, and focused discussions in the existing literature on art archives in Asia. Most of the archives included in the book are independent and initiated by individuals, folk groups, or non-profit organizations. In this book, one can trace the dynamics and selfgenerative capacity in this particular historical and cultural milieu through these “alternative” archives and through the practices of artists and curators who apply their specific understanding of archive to their works. Many chapters resonate with each other in that they capture the experiences shared by many places in Asia. Those experiences could have resulted from the encounter with the Western idea of archive, the influence of the colonial experience, or |
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a memory crisis triggered by the rapid transformation of media, and may serve as a basis for producing archive theories in/from Asia. The book provides an opportunity for the archives in Asia and those who work around them to recognize one another, understand what their colleagues in archival work do, how they do it and what else there is for them to do. Lu Pan is Associate Professor at Department of Chinese History and Culture, The Hong Kong Polytechnic University. |
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3. |
Record Nr. |
UNIORUON00321003 |
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Titolo |
Library Journal |
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Pubbl/distr/stampa |
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New York, : Reed Publishing |
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ISSN |
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Descrizione fisica |
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Soggetti |
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Stati Uniti - Editoria - Periodici |
Stati Uniti - Periodici |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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