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1. |
Record Nr. |
UNINA9910458262903321 |
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Autore |
Douglas Kate <1974-> |
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Titolo |
Contesting childhood [[electronic resource] ] : autobiography, trauma, and memory / / Kate Douglas |
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Pubbl/distr/stampa |
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New Brunswick, N.J., : Rutgers University Press, c2010 |
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ISBN |
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1-282-56239-8 |
9786612562396 |
0-8135-4915-9 |
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Descrizione fisica |
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1 online resource (237 p.) |
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Collana |
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The Rutgers series in childhood studies |
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Disciplina |
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Soggetti |
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Autobiographical memory |
Memory - Social aspects |
Collective memory |
Psychic trauma |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Creating childhood : autobiography and cultural memory -- Consuming childhood : buying and selling the autobiographical child -- Authoring childhood : the road to recovery and redemption -- Scripts for remembering : childhoods and nostalgia -- Scripts for remembering : traumatic childhoods -- Ethics : writing about child abuse, writing about abusive parents -- The ethics of reading : witnessing traumatic childhoods -- Writing childhood in the twenty-first century. |
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Sommario/riassunto |
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The late 1990's and early 2000's witnessed a surge in the publication and popularity of autobiographical writings about childhood. Linking literary and cultural studies, Contesting Childhood draws on a varied selection of works from a diverse range of authorsù from first-time to experienced writers. Kate Douglas explores Australian accounts of the Stolen Generation, contemporary American and British narratives of abuse, the bestselling memoirs of Andrea Ashworth, Augusten Burroughs, Robert Drewe, Mary Karr, Frank McCourt, Dave Pelzer, and Lorna Sage, among many others. Drawing on trauma and memory studies and theories of authorship and readership, Contesting |
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Childhood offers commentary on the triumphs, trials, and tribulations that have shaped this genre. Douglas examines the content of the narratives and the limits of their representations, as well as some of the ways in which autobiographies of youth have become politically important and influential. This study enables readers to discover how stories configure childhood within cultural memory and the public sphere. |
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2. |
Record Nr. |
UNINA9910458314503321 |
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Autore |
de Goncourt Edmond |
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Titolo |
Hokusai / / Edmond de Goncourt |
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Pubbl/distr/stampa |
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New York : , : Parkstone Press International, , [2014] |
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©[2014] |
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ISBN |
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1-78310-913-0 |
1-78310-914-9 |
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Descrizione fisica |
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1 online resource (512 p.) |
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Disciplina |
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Soggetti |
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Color prints, Japanese - Edo period, 1600-1868 |
Printmakers - Japan |
Wood-engraving, Japanese - Edo period, 1600-1868 |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Inhalt; Vorwort; I. Leben; II. Surimonos, Gelbe Bücher undIllustrierte Romane; 1. Surimonos; 2. Gelbe Bücher; 3. Illustrierte Romane; III. Manga und Zeichenbücher; 1. Manga; 2. Zeichenbücher; 3. Zeichenbücher in Farbe; IV. Gedichtbände, Holzschnitte,Drucke und andere Werke; 1. Kyoka-Poesiealben mit Farbtafeln; 2. Zeichenalben; 3. Einzelne Blätter (Abdrucke); 4. Kakemono und Makimono; 5. Fächer, Stellschirme, Paravents; 6. Skizzenbücher; 7. Shunga (Frühlingsbilder); 8. Andere von Hokusai illustrierte Werke; 9. Verschiedene Werke mit Zeichnungenvon Hokusai; Biografie; Glossar |
Abbildungsverzeichnis |
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Sommario/riassunto |
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Katsushika Hokusai (1760-1849) ist mit seinen eleganten Gemälden und meisterhaften Holzschnitten der international renommierteste Künstler Japans. Als ein Meister der Ukiyo-e-Kunst transferierte er alleine diese Kunstform von einem einfachen, auf Abbildungen von Kurtisanen und berühmten Schauspielern fokussierten Stil zu einem gehobeneren Stil, der die Schönheit der Natur durch Landschaften und Tierwelten darstellt. Der Stil und die Gegenstände in seiner Kunst entwickelten sich so oft weiter, wie er seinen Namen änderte. Aber Hokusais künstlerisches Talent blieb beständig, und er hatte eine ei |
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