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1. |
Record Nr. |
UNINA9910457844103321 |
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Titolo |
Ice floe II [[electronic resource] ] : international poetry of the far north / / Shannon Gramse & Sarah Kirk, editors ; in collaboration with The Ice Floe International Editorial Board |
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Pubbl/distr/stampa |
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Fairbanks, : University of Alaska Press, 2011 |
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ISBN |
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Descrizione fisica |
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1 online resource (97 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Scandinavian poetry |
Eskimo poetry |
Electronic books. |
Arctic regions Poetry |
Scandinavia Poetry |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Contents; Editors' Note; The Escape; kaksi runoa sikermästä Petropolis; from Petropolis; Approaching Teslin Village; Day one; Doktor Martelli; Doctor Martelli; A White Woman Visits the Museum of the North; "What must the whales think"; "Istun elokuvateatterissa"; "I'm sitting in a movie theater"; из Погружение; from Immersion; Denne tiden; Nowadays; Haukka leikkii kyyhkysellä; A hawk plays with a pigeon; Realiteten ligger i årstidene; Reality is in the seasons; de har rydda rom til meg; they have cleared some space for me; A Winter's Tale; Two Doves; Matka; The journey; ХаФику; Haiku |
Stormurin The Storm; lýsiglóð; a shining white light; Dispatch from Siberia; (Onstage); Hannu/Kerttu; Hansel/Gretel; På sockenkyrkogården; On the parish churchyard; úr Lív; from Lív; Broken Nose during Dinner; Broken Nose during Dinner; из аха Пу'ша ван; from The Song of an Agan Woman; Evighetens cigarr; Eternity's Cigar; fingur þínir og myrkrið; your fingers and the darkness; How the Mistress, Distressed, Insinuated Herself into Place; lake, glacier; Ilu; Innate; Or Perhaps We Will Never Enter Our Lives At All, But Remain |
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Always Somewhat at the Door of Things?; Traakia; Thrace |
Haustkvöld við fljótiðAutumn Evening by the River; Landskapet du lever i; The landscape surrounding you; Contributor Notes; Editors; Call for Submissions |
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The long-awaited second volume of the newly revived Ice Floe series, Ice Floe II features new and exciting works of poetry from a vibrant and diverse group of writers from Alaska, Canada, Russia, Sweden, Iceland, and beyond. All work is presented here in both its original language and in English translation. With contributors that include former Alaska poet laureate Tom Sexton, Riina Katajavuori, Yuri Vaella, Gunnar Randversson, and dozens of other established and emerging poets, this wonderful collection of voices from the northern latitudes will be a great read for all lovers of poetry and |
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2. |
Record Nr. |
UNISALENTO991003765169707536 |
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Autore |
Tommasini, Lorenzo |
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Titolo |
La personalità eccessiva : Scipio Slataper e Friedrich Hebbel / Lorenzo Tommasini |
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Descrizione fisica |
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Collana |
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Quaderni della Sezione di italiano dell'Università di Losanna ; 17 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Bibliografia: p. 277-287. Indice |
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3. |
Record Nr. |
UNINA9910968671203321 |
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Titolo |
Paris school semiotics . II Practice / / edited by Paul Perron & Frank Collins |
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Pubbl/distr/stampa |
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Amsterdam, : J. Benjamins Pub. Co., 1989 |
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ISBN |
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1-283-42457-6 |
9786613424570 |
90-272-7837-7 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (241 p.) |
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Collana |
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Semiotic crossroads ; ; v. 3 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III.1. The Vegetable Soup; III.2. The Basil Sauce (Pistou); III.3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES |
1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re-)contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The ""Roman charity"" scene in Poussin's La Manne; I. METHOD - OBJECT OF STUDY |
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I.1. Uttered enunciation - a point of access to the estheticI.2. ""Roman charity""; I.3. Philological digression; II. ADMIRATION; II.1. ""Admiration"" according to Descartes and Malebranche; II.2. A passion sequence: curiosity - ""admiration"" - consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. ""Admiration"" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity - divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel - the miracle - the mystery; III.6. Classical esthetics - Baroque esthetics |
APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the ""News"" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I. A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. ""Public Opinion"" and ""Political Class""; II.2. The Public |
II.3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III.1. A Polyvalent Operator; III.2. The Problematics of the Narrator; III.3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV.1. Following Public Opinion; IV.2. Defying Opinion; IV.3. Deceiving Public Opinion; IV.4. Facing Opinion; V. A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II.1. Global Segmentation |
II.2. The Circulating Object |
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Sommario/riassunto |
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It has often been claimed that the aim of semiotics is to establish a general theory of systems of signification. However, as Jean-Claude Coquet notes in a recent collection of essays, what distinguishes one school of semiotics from another is the initial definition given of sign. If, for certain semioticians, the sign is first of all an observable phenomenon, for the Paris School it is first of all a construct and this point of departure has crucial theoretical and practical consequences. The essays appearing in these two volumes are representative of recent work carried out by members of thi |
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