1.

Record Nr.

UNINA9910457727203321

Autore

Besserman Lawrence L. <1945-, >

Titolo

Biblical paradigms in medieval English literature : from Cµdmon to Malory / / Lawrence Besserman

Pubbl/distr/stampa

New York : , : Routledge, , 2012

ISBN

1-136-59716-6

0-203-34750-1

Descrizione fisica

1 online resource (237 p.)

Collana

Routledge studies in medieval literature and culture ; ; 1

Disciplina

820.9/001

Soggetti

English literature - Middle English, 1100-1500 - History and criticism

Literature, Medieval - History and criticism

English literature - Old English, ca. 450-1100 - History and criticism

Holy, The, in literature

Secularism in literature

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Biblical Paradigms in Medieval English Literature; Copyright; Contents; Abbreviations; Figures; Preface; Acknowledgments; Introduction: Biblical Paradigms in Medieval English Literature: From Cædmonto Malory; 1. Biblical Paradigms in Old English Verse: Cædmon's Hymn, Exodus,and Beowulf; 2. Sacred and Secular in the Middle English Lyric: "Maiden in the Moor Lay"and "I Sing of a Maiden; 3. Sacred and Secular in the World of Romance: SGGK The Idea of the Green Knight; 4. Biblical Analogies and the Language of Love in Chaucer's Troilus and Criseyde

5. Chivalry and the Scandal of the Sacred in Malory's Le Morte DarthurConclusion; Notes; References; Index

Sommario/riassunto

This book examines the intricate and unusual relationship between the sacred and secular spheres of English medieval culture, positing that the assimilation of sacred and secular motifs could be in either direction, or even in both directions. That is, medieval English writers could appropriate biblical paradigms to express secular themes, and vice versa. Codicological, psychoanalytic, feminist, and new historicist



insights inform readings of Beowulf, Middle English lyric poetry, the Gawain-poet, Chaucer, and Malory, among others. Besserman elucidates the structural and thematic complexity