1.

Record Nr.

UNINA9910457602703321

Titolo

Chan Buddhism in ritual context / / edited by Bernard Faure

Pubbl/distr/stampa

London ; ; New York : , : RoutledgeCurzon, , 2003

ISBN

1-134-43117-1

1-280-22400-2

9786610224005

0-203-98781-0

Descrizione fisica

1 online resource (331 p.)

Collana

RoutledgeCurzon studies in Asian religion

Classificazione

11.93

Altri autori (Persone)

FaureBernard

Disciplina

294.36/927/09

Soggetti

Zen Buddhism - Rituals - History

Zen Buddhism - History

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Chan and Zen studies: the state of the field(s) / Bernard Faure -- Imagining the portrait of a Chan master / Wendi Adamek -- On the ritual use of Chan portraiture in medieval China / T. Griffith Foulk, Robert H. Sharf -- Tang dynasty Chan mummy [roushen] and a modern case of furta sacra?: investigating the contested bones of Shitou Xiqian / James Robson -- Filling the Zen shū: notes on the Jisshū Yōdō Ki / Carl Bielefeldt -- Quand l'habit fait le moine: the symbolism of the kāṣāya in Sōtō Zen / Bernard Faure -- Enlightenment of kami and ghosts: spirit ordinations in Japanese Sōtō Zen / William M. Bodiford -- How Dōshō's medicine saved Dōgen: medicine, Dōshōan and Edo-period Dōgen biographies / Duncan Ryūken Williams.

Sommario/riassunto

The essays in this volume attempt to place the Chan and Zen tradition in their ritual and cultural contexts, looking at various aspects heretofore largely (and unduly) ignored. In particular, they show the extent to which these traditions, despite their claim to uniqueness, were indebted to larger trends in East Asian Buddhism, such as the cults of icons, relics and the monastic robe.The book emphasises the importance of ritual for a proper understanding of this allegedly anti-ritualistic form of Buddhism. In doing so, it deconstructs the Chan/Zen



'rhetoric of immediacy' and its ideologica