1.

Record Nr.

UNINA9910457469203321

Titolo

The individual and tradition [[electronic resource] ] : folkloristic perspectives / / edited by Ray Cashman, Tom Mould, and Pravina Shukla

Pubbl/distr/stampa

Bloomington, : Indiana University Press, 2011

ISBN

1-283-23598-6

9786613235985

0-253-00566-3

Descrizione fisica

1 online resource (561 p.)

Collana

Special publications of the Folklore Institute, Indiana University

Altri autori (Persone)

CashmanRay

MouldTom

ShuklaPravina

Disciplina

709.22

Soggetti

Storytelling

Tradition (Philosophy)

Oral tradition

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Contents; Introduction: The Individual and Tradition; Entering Tradition: Kim Ellington, Catawba Valley Potter; Delight in Skill: The Stone Carvers' Art; The "Talking Machine Story Teller": Cal Stewart and the Remediation of Storytelling; Chief Ovia Idah: Bricoleur of Benin City and a Star for All Times; Place Matters: A Wooden Boat Builder in the Twenty-First Century; A Backdoor into Performance; The Maintenance of Heritage: Kersti Jobs-Björklöf and Swedish Folk Costume; The World of Ogre-Tile Makers: The Onihyaku Line inHekinan, Japan

Bringing Them Back: Wanda Aragon and the Revival of Historic Pottery Designs at AcomaArtistic Courage in Small Groups: Identity, Intermediality, and Indian Country; Navigating the Legends of Treasure Island: Narrative, Maps, and the Material; Fluid Identities: Madame d'Aulnoy, Mother Bunch, and Fairy-Tale History; Counting the Stars: The Study of Creativity on a Human Scale; On Middle-Range Structures in Heroic Epic; The Role of Tradition in the Individual; Customizing



Myth: The Personal in the Public; David Drake: Potter, Poet, Rebel

The Mother's Voice: An Analysis of the Content of Turkish LullabiesContested Performance and Joke Aesthetics; Vernacular Interpretation in a Public Folklore Event; Georgia Decoy Maker Ernie Mills: A Folk Artist Defines His Work; Rapid Transportation; Working Through Tradition: Rug Farming In Anatolia; A Few of My Favorite Things about North Carolina Pottery; That's Where I Came In: Henry and His Teachers; At the Black Pig's Dyke and Other Writing; A Folklorist's Work: Henry Glassie's Life in the Field; Acknowledgments; Tabula Gratulatoria; Contributors; Index

Sommario/riassunto

Profiles of artists and performers from around the world form the basis                of this innovative volume that explores the many ways individuals engage with, carry                on, revive, and create tradition. Leading scholars in folklore studies consider how                the field has addressed the relationship between performer and tradition and examine                theoretical issues involved in fieldwork and the analysis and dissemination of                scholarship in the context of relationships with the performers. These vivid case                studies exemplify th