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Record Nr. |
UNINA9910457426803321 |
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Titolo |
Music, power, and politics [[electronic resource] /] / edited by Annie J. Randall |
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Pubbl/distr/stampa |
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New York, : Routledge, 2005 |
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ISBN |
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1-135-94691-4 |
1-280-10299-3 |
0-203-32975-9 |
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Descrizione fisica |
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1 online resource (295 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Popular music - Social aspects |
Folk music - Social aspects |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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BOOK COVER; TITLE; COPYRIGHT; CONTENTS; Acknowledgments; Introduction; 1 A Censorship of Forgetting Origins and Origin Myths; 2 Discipline and Choralism The Birth of Musical Colonialism; 3 Power Needs Names Hegemony Folklorization; 4 The Power to Influence Minds German Folk Music; 5 The Making of a National Musical Icon Xian Xinghai; 6 Dancing for the Eternal President; 7 The Power of Recently Revitalized Serbian Rural Folk Music; 8 Hands Off My Instrument; 9 Barbadian Tuk Music A Fusion of Musical Cultures; 10 There Goes the Transnational Neighborhood |
11 Fighting for the Right to Party Discursive Negotiations12 Who's Listening; 13 Subversion and Countersubversion Power Control; Contributors; Index |
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Sommario/riassunto |
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Essays by scholars from around the world explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners has been used to advance agendas of power and protest. |
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