1.

Record Nr.

UNINA9910457420103321

Titolo

Scotland as science fiction [[electronic resource] /] / [edited by] Caroline McCracken-Flesher

Pubbl/distr/stampa

Lanham, MD, : Bucknell University Press, co-published with the Rowman & Littlefield Pub. Group, c2012

ISBN

1-283-30269-1

9786613302694

1-61148-375-1

Descrizione fisica

1 online resource (138 p.)

Collana

Aperçus: Histories Texts Cultures

Altri autori (Persone)

McCracken-FlesherCaroline

Disciplina

823/.08762099411

Soggetti

English literature - Scottish authors - History and criticism

Science fiction, Scottish - History and criticism

Literature and society - Scotland - History

National characteristics, Scottish, in literature

Literature and history - Scotland

Electronic books.

Scotland In literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Contents; Acknowledgments; Introduction; Scotland's Fantastic Physics: Energy Transformation in MacDonald, Stevenson, Barrie, and Spark; The Other Otherworld: Didactic Fantasy from MacDonald and Lindsay to J. Leslie Mitchell; Allegory and Cruelty: Gray's Lanark and Lindsay's A Voyage to Arcturus; Speculative Nationality: "Stands Scotland Where it Did?" in the Culture of Iain M. Banks; Between Enlightenment and the End of History: Ken MacLeod's Engines of Light; The Cosmic (Cosmo)Polis in Naomi Mitchison's Science Fiction Novels

Nonviolence, Gender, and Ecology: Margaret Elphinstone's The Incomer and A Sparrow's FlightPast and Future Language: Matthew Fitt and Iain M. Banks; Scottish Poetry as Science Fiction: Geddes, MacDiarmid, and Morgan's "A Home in Space"; Brave New Scotland: Science Fiction without Stereotypes in Fitt and Crumey; Alba Newton and Alasdair Gray; Bibliography; Index; About the Editor and Contributors



Sommario/riassunto

Scots like Iain N. Banks and Ken MacLeod lead in a futuristic tradition, for from MacDonald, Barrie, and Stevenson onwards, Scots have been speculating in ways derived from their unique circumstances: lacking political power, they imagine future spaces and different places-with a twist. Nineteenth-century thermodynamics (theorized in Scotland), Celtic Otherworlds, and a Scotland always on the ""other side"" of history open unusual futures for Mitchison, Spark, Lindsay, Mitchell, MadDiarmid, Morgan, Crumey, Fitt, and Gray.