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1. |
Record Nr. |
UNINA9910162457303321 |
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Titolo |
La montagna italiana tra marginalità e sviluppo |
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Pubbl/distr/stampa |
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L'Aquila : [s.n.], 2002 ( (L'Aquila) : Gruppo Tipografico editoriale |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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In copertina: CRESA, Centro regionale di studi e ricerche economico-sociali istituito dalle Camere di Commercio d'Abruzzo |
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2. |
Record Nr. |
UNINA9910457309403321 |
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Autore |
Feintuck Mike <1961-> |
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Titolo |
Media regulation, public interest and the law / / Mike Feintuck and Mike Varney [[electronic resource]] |
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Pubbl/distr/stampa |
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Edinburgh : , : Edinburgh University Press, , 2006 |
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ISBN |
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0-7486-7098-X |
1-280-53835-X |
9786610538355 |
0-7486-2715-4 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (x, 306 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Mass media - Law and legislation - Great Britain |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 02 Oct 2015). |
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Nota di bibliografia |
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Includes bibliography and index. |
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Nota di contenuto |
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; 1. Regulating the revolution -- ; 2. The market, public service and regulation -- ; 3. In search of the public interest -- ; 4. The regulatory framework before and after the Communications Act 2003 -- ; 5. Institutional design and accountability in UK media regulation -- ; 6. Tiers of regulation -- ; 7. Conclusions : protecting democratic values. |
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Sommario/riassunto |
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Regulation of the media has traditionally been premised upon claims of ‘the public interest’, yet the term itself remains contested and generally ill defined. In the context of technological development and convergence, as well as corporate conglomeration, traditional ‘public service’ values in British broadcasting are challenged by market values. With such ongoing trends continuing apace, regulators must increasingly justify their interventions. The communication industries’ commercialisation and privatisation pose a fundamental threat to democratic values. Media Regulation, Public Interest and the Law argues that regulators will only successfully protect such values if claims associated with ‘citizenship’ are recognised as the rationale and objective for the regulatory endeavour. While such themes are central to the book, this second edition has been substantially revised and updated, to take account of matters such as European Directives, the UK’s Communications Act 2003, the process of reviewing the BBC’s Charter, and relevant aspects of the reform of general competition law. Key Features *Identifies and examines the rationales underlying media regulation and the current challenges to them. *Considers fully the actual and potential utility of legal mechanisms and principles in the design and activities of regulatory institutions. *Fully updated to take account of the European Union’s 2002 New Regulatory Framework and the UK’s Communications Act 2003. *Accessible to a wide readership in media studies, journalism, broadcasting and law. Praise for the First Edition; "A detailed and critical assessment of the problems and confusions of recent media regulation in the UK including digital television franchising and the Broadcasting Complaints Commission… it is well organised, and should be a useful resource for more advanced students and academics…for updating the public regulation case with vigour and clarity this book is to be welcomed." |
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3. |
Record Nr. |
UNISA996204861503316 |
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Autore |
Veldhorst Natascha |
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Titolo |
Zingend door het leven : het Nederlandse liedboek in de Gouden Eeuw / / Natascha Veldhorst |
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Pubbl/distr/stampa |
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Amsterdam University Press, 2009 |
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[Amsterdam] : , : Amsterdam University Press, , c2009 |
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©2009 |
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ISBN |
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9789048510788 |
9786612453809 |
9048510783 |
9789089641465 |
9089641467 |
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Descrizione fisica |
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1 online resource (179 pages) : illustrations; digital file(s) |
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Collana |
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Amsterdamse Gouden Eeuw Reeks |
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Disciplina |
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Soggetti |
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Music - Netherlands - 17th century - History and criticism |
Songbooks, Dutch - 17th century - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Voorwoord -- 1. Inleiding -- 2. Een geliefd genre -- 3. Het Nederlandse muziekleven -- 4. Mondelinge overlevering -- 5. Liedteksten en muziek -- 6. Verspreiding van liederen -- 7. De invloed van de uitgever -- 8. Vormgeving en structuur -- 9. Geschenk aan de vrouwen -- 10. Liedboeken en het theater -- 11. Religieuze successen -- 12. Verzet tegen losbandigheid -- 13. Giftige melodieën -- 14. Gouden Eeuw voor het liedboek -- Noten -- Bibliografie -- Verder lezen over de twaalf liedboeken -- Verantwoording illustraties -- Register. |
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Sommario/riassunto |
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The song books are a tangible reminder of the lively seventeenth-century song culture. Young and old, poor and rich: everyone sang, from the cradle to the grave. Natascha Veldhorst shows the diversity and originality of the genre. In addition, the book contains many surprising illustrations that underline how much singing and songbooks were integrated into daily life at the time. Songbooks were very popular with the Dutch population for a long time. The genre was |
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invented in the 16th century, but remained popular for centuries afterward. The Golden Age in particular experienced an impressive growth, with hundreds of collections in various formats, prices and designs. The Dutch situation was unique in quantity and quality. Nowhere in Europe were songbooks produced and purchased with so much energy and enthusiasm. Singing through life is devoted to this fascinating cultural-historical phenomenon. The book elaborates on the design and content of the songbooks, the relationship between newly composed and existing music, the influence of publishers and printers, the connections between song culture and theatre, the popularity of amorous songbooks with youth, and religious resistance to the compelling influence of music. Thematic chapters alternate with twelve short interludes about separate songbooks, which show the great diversity and originality of the genre. Surprising illustrations emphasize how integrated the songbooks were in daily life. Songbooks, paintings and prints are a tangible reminder of our lively seventeenth-century song culture. Young and old, poor and rich: everyone sang, from the cradle to the grave. |
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