1.

Record Nr.

UNINA9910457231703321

Autore

Barber C. L (Cesar Lombardi)

Titolo

Shakespeare's festive comedy [[electronic resource] ] : a study of dramatic form and its relation to social custom / / C. L. Barber ; with a new foreword by Stephen Greenblatt

Pubbl/distr/stampa

Princeton, : Princeton University Press, 2012

ISBN

1-283-21260-9

9786613212603

1-4008-3985-8

Edizione

[With a New foreword by Stephen Greenblatt]

Descrizione fisica

1 online resource (322 p.)

Altri autori (Persone)

GreenblattStephen <1943->

Disciplina

822.33

Soggetti

Literature and society - England - History - 16th century

English drama (Comedy) - History and criticism

Literary form - History - 16th century

Manners and customs in literature

Festivals in literature

Electronic books.

England Social life and customs 16th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Reissue, with a new foreword.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Foreword / Greenblatt, Stephen -- Preface -- One. Introduction: The Saturnalian Patter -- Two. Holiday Custom and Entertainment -- Three. Misrule as Comedy; Comedy as Misrule -- Four. Prototypes of Festive Comedy in a Pageant Entertainment: Summer's Last Will and Testament -- Five. The Folly of Wit and Masquerade in Love's Labour's Lost -- Six. May Games and Metamorphoses on a Midsummer Night -- Seven. The Merchants and the Jew of Venice: Wealth's Communion and an Intruder -- Eight. Rule and Misrule in Henry IV -- Nine. The Alliance of Seriousness and Levity in As You Like It -- Ten. Testing Courtesy and Humanity in Twelfth Night -- Index

Sommario/riassunto

In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night



are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity. "I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.