1.

Record Nr.

UNINA9910457184403321

Autore

Gilpin R. Blakeslee

Titolo

John Brown still lives! [[electronic resource] ] : America's long reckoning with violence, equality, & change / / R. Blakeslee Gilpin

Pubbl/distr/stampa

Chapel Hill, : University of North Carolina Press, c2011

ISBN

1-4696-0260-1

0-8078-6927-9

Descrizione fisica

1 online resource (296 p.)

Disciplina

973.7/114

Soggetti

Abolitionists - United States

Violence - Social aspects - United States - History

Equality - United States - History

Electronic books.

Harpers Ferry (W. Va.) History John Brown's Raid, 1859

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction : cause and consequence : John Brown in nineteenth-century America -- Some definite plan : the early life of John Brown -- The final arbiter : Bleeding Kansas and the creation of the old hero -- Not buried but planted : cultivating the legend of John Brown -- A saint in suspense : competing visions of John Brown -- Discrimination and destiny : John Brown and the NAACP -- The soul rests : Stephen Vincent BeneĢt and the silencing of John Brown's body -- The fugitive imagination : a John Brown for the old South -- Revising Kansas : John Steuart Curry and the fanaticism of John Brown -- Together under arms : Jacob Lawrence paints Black history -- Epilogue. Climax and harbinger : a life as a common cause.

Sommario/riassunto

From his obsession with the founding principles of the United States to his cold-blooded killings in the battle over slavery's expansion, John Brown forced his countrymen to reckon with America's violent history, its checkered progress toward racial equality, and its resistance to substantive change. Tracing Brown's legacy through writers and artists like Thomas Hovenden, W. E. B. Du Bois, Robert Penn Warren, Jacob Lawrence, Kara Walker, and others, Blake Gilpin transforms Brown from



an object of endless manipulation into a dynamic medium for contemporary beliefs about the process and purpose