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Record Nr. |
UNINA9910457166703321 |
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Autore |
Williams Simon <1943-> |
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Titolo |
Wagner and the Romantic hero / / Simon Williams [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2004 |
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ISBN |
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1-107-14534-1 |
1-280-51600-3 |
0-511-21419-7 |
0-511-21598-3 |
0-511-21061-2 |
0-511-31496-5 |
0-511-48174-8 |
0-511-21238-0 |
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Descrizione fisica |
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1 online resource (x, 193 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Operas - Characters |
Heroes in opera |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. 170-187) and index. |
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Nota di contenuto |
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Modes of heroism in the early nineteenth century -- Wagner and the early nineteenth-century theatre -- Early music drama : the isolated hero -- Heroism, tragedy, and the Ring -- The last music-dramas : toward the messiah -- Wagner's heroism on stage. |
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Sommario/riassunto |
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Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explores the reasons for this adulation and antipathy by examining an aspect that may be a fundamental cause for this radical division in the reception of Wagner's work, the phenomenon of heroism. Williams analyses this heroism as a function of Wagner's theatre and music, beginning with a definition and examination of the concept of the heroic. The book also discusses all thirteen stage works |
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