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1. |
Record Nr. |
UNINA9910456772903321 |
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Autore |
Binion Rudolph <1927-2011, > |
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Titolo |
Traumatic Reliving in History, Literature and Film / / by Rudolph Binion |
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Pubbl/distr/stampa |
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Boca Raton, FL : , : Routledge, , [2018] |
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©2011 |
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ISBN |
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0-429-48432-1 |
1-283-07091-X |
9786613070913 |
1-84940-716-9 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (211 p.) |
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Disciplina |
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Soggetti |
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Psychic trauma - History |
Psychohistory |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Copy Right; FOREWORD; ABOUT THE AUTHOR; CHAPTER ONE: Reliving; CHAPTER TWO: Reliving with Freud; CHAPTER THREE: Reliving in history; CHAPTER FOUR: Reliving in history: A closeup; CHAPTER FIVE: Reliving in letters; CHAPTER SIX: Reliving on screen; CHAPTER SEVEN: Reliving: Who, when, why?; REFERENCES |
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Sommario/riassunto |
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Traumatic Reliving in History, Literature, and Film explores an intriguing facet of human behavior never yet examined in its own right - an individual or a group may contrive, unawares, to repeat a half-forgotten traumatic experience in disguise. Such reliving has shaped major careers and large-scale events throughout history. Insight into it is therefore vital for understanding historic causation past and present. Traumatic Reliving has also proliferated in literature since antiquity and lately in film as well, indicating its tacit acceptance as a piece of life by the reading and movie-going public. This book examines the evidence of history, literature, and film on how this irrational behavioral mechanism works. |
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2. |
Record Nr. |
UNINA9910792831303321 |
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Autore |
Miller Peter N. <1964-> |
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Titolo |
History and its objects : antiquarianism and material culture since 1500 / / Peter N. Miller |
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Pubbl/distr/stampa |
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Ithaca, New York ; ; London, [England] : , : Cornell University Press, , 2017 |
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©2017 |
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ISBN |
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1-5017-0823-6 |
1-5017-0824-4 |
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Descrizione fisica |
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1 online resource (300 pages) : illustrations, portraits |
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Classificazione |
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Disciplina |
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Soggetti |
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Antiquities - Study and teaching |
Material culture - History |
Europe Historiography |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Previously issued in print: 2017. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Illustrations -- Introduction: Why Historiography Matters -- 1. History and Things in the Twentieth Century -- 2. Karl Lamprecht and the "Material Turn" c. 1885 -- 3. Things as Historical Evidence in the Late Renaissance and Early Enlightenment -- 4. Material Evidence in the History Curriculum in Eighteenth-Century Göttingen -- 5. Archaeology as a Way of Talking about Things, 1750-1850 -- 6. Material Culture in the Amateur Historical Associations of Early Nineteenth-Century Germany -- 7. Gustav Klemm, Cultural History, and Kulturwissenschaft -- 8. The Germanisches Nationalmuseum: Antiquitates and Cultural History in the Museum -- Conclusion: Toward a Future Theory of the Historical Document -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Cultural history is increasingly informed by the history of material culture-the ways in which individuals or entire societies create and relate to objects both mundane and extraordinary-rather than on textual evidence alone. Books such as The Hare with Amber Eyes and A History of the World in 100 Objects indicate the growing popularity of this way of understanding the past. In History and Its Objects, Peter N. |
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Miller uncovers the forgotten origins of our fascination with exploring the past through its artifacts by highlighting the role of antiquarianism-a pursuit ignored and derided by modem academic history-in grasping the significance of material culture.From the efforts of Renaissance antiquarians, who reconstructed life in the ancient world from coins, inscriptions, seals, and other detritus, to amateur historians in the nineteenth century working within burgeoning national traditions, Miller connects collecting-whether by individuals or institutions-to the professionalization of the historical profession, one which came to regard its progenitors with skepticism and disdain. The struggle to articulate the value of objects as historical evidence, then, lies at the heart both of academic history-writing and of the popular engagement with things. Ultimately, this book demonstrates that our current preoccupation with objects is far from novel and reflects a human need to reexperience the past as a physical presence. |
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