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1. |
Record Nr. |
UNINA990001100910403321 |
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Autore |
Seaborg, Glenn T. |
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Titolo |
Education and the Atom : An Evaluation of Government's Role in Science Education and Information, Especially as Applied to Nuclear Energy / Glenn T. Seaborg, Daniel M. Wilkes |
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Pubbl/distr/stampa |
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New York [etc.] : McGraw-Hill, 1964 |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910456680803321 |
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Autore |
Burkett Delbert Royce |
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Titolo |
Rethinking the Gospel sources . Volume 2 The unity or plurality of Q [[electronic resource] /] / by Delbert Burkett |
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Pubbl/distr/stampa |
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Atlanta, : Society of Biblical Literature, c2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (292 p.) |
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Collana |
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Society of Biblical Literature early Christianity and its literature ; ; no. 1 |
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Disciplina |
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Soggetti |
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Two source hypothesis (Synoptics criticism) |
Q hypothesis (Synoptics criticism) |
Synoptic problem |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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[Vol. 1.] with individual title From proto-Mark to Mark was published New York : T & T Clark International, 2004. |
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Nota di bibliografia |
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Includes bibliographical references (p. 251-259) and indexes. |
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Nota di contenuto |
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The necessity of Q -- Q : unity or plurality? -- The core of Q -- Other Q in the double tradition -- Q material unique to one gospel -- The original order of Q -- Causes of verbal disagreement in Q parallels -- Combination of Q with the Markan source -- Combination of Q with M -- Combination of Q with L -- Other causes of differences in wording -- Summary and conclusions. |
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3. |
Record Nr. |
UNINA9910826441303321 |
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Autore |
Rubin James Henry |
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Titolo |
Monet / / James H. Rubin |
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Pubbl/distr/stampa |
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London : , : Thames & Hudson, , [2020] |
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©2020 |
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ISBN |
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Descrizione fisica |
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1 online resource (236 pages) |
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Collana |
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Disciplina |
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Soggetti |
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Impressionism (Art) |
Criticism, interpretation, etc. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 211-213) and index. |
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Nota di contenuto |
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Defying traditions: from caricaturist to career -- Defining impressionism: aspects of modernity -- Interludes and crises: personal, public and pictorial -- The picturesque as turning point: travels, sites and series -- Poetry in the garden: the decorative, the 'water lilies' and art nouveau -- Vision and subjectivity: seeing with the body -- Political contexts: nationalism and utopia -- A lasting legacy: the patriarch of modern art. |
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Sommario/riassunto |
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Claude Monet (1840-1926) is one of the most admired and famous painters of all time, and the architect of Impressionism: a revolution that gave birth to modern art. His technique - painting out of doors, at the seashore or in the city streets - was as radically new as his subject matter, the landscapes and middle-class pastimes of a newly industrialized Paris. Painting with an unprecedented immediacy and authenticity, Monet claimed that his work was something new: both natural and true. 0In this new introductory study, James H. Rubin - one |
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of the world's foremost specialists in 19th-century French art - traces the development of Monet's practice, from his early work as a caricaturist to the late paintings of waterlilies and his garden at Giverny. Rubin explores the cultural currents that helped to shape Monet's work: the utopian thought that gave rise to his politics; his interest in Japanese prints, gardening, and trends in the decorative arts; and his relationship with earlier French landscape painters as well as such contemporaries as Manet and Renoir. |
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