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Record Nr. |
UNINA9910456612203321 |
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Titolo |
Interfaces of performance / / edited by Maria Chatzichristodoulou, University of Hull, Janis Jefferies, Goldsmiths, University if London, Rachel Zerihan, Queen Mary, University of London |
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Pubbl/distr/stampa |
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Farnham, England ; ; Burlington, United State : , : Ashgate, , 2009 |
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©2009 |
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ISBN |
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1-317-11461-2 |
1-317-11460-4 |
1-282-34442-0 |
9786612344428 |
0-7546-9843-2 |
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Descrizione fisica |
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1 online resource (233 p.) |
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Collana |
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Digital Research in the Arts and Humanities |
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Disciplina |
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Soggetti |
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Technology and the arts |
Performing arts - Technological innovations |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Contents; List of Figures; Notes on Contributors; Series Preface; Introduction; 1 Creative Media: Performance, Invention, Critique; Part 1 Environments; 2 Environments, Interactions and Beings: The Ecology of Performativity and Technics; 3 Blurring the Boundaries: Performance, Technology and the Artificial Sublime - An Interview with Ruth Gibson and Bruno Martelli, igloo; Part 2 Bodies; 4 ORLAN-Vertigo/Self-Touching-You; 5 The Path to Silence; Part 3 Audiences; 6 Reactivation: Performance, Mediatization and the Present Moment |
7 Moving Audiences: Strategies of Exposure in the Work of Gob Squad8 How to Kidnap your Audiences: An Interview with Matt Adams from Blast Theory; Part 4 Politics; 9 The Tendency to 'Trans-': The Political Aesthetics of the Biogrammatic Zone; 10 Guillermo Gómez-Peña: Ethno-Techno Politics; 11 Performative Science in an Age of Specialization: The Case of Critical Art Ensemble; Part 5 Affect; 12 Affective Connection; 13 Love at First Byte; Conclusion; Bibliography; |
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Sommario/riassunto |
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This collection of essays and interviews investigates current practices that expand our understanding and experience of performance through the use of state-of-the-art technologies. It brings together leading practitioners, writers and curators who explore the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines. |
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