1.

Record Nr.

UNINA9910456432403321

Titolo

Women willing to fight [[electronic resource] ] : the fighting woman in film / / edited by Silke Andris and Ursula Frederick

Pubbl/distr/stampa

Newcastle, U.K., : Cambridge Scholars, 2007

ISBN

1-282-03612-2

9786612036125

1-4438-0476-2

Descrizione fisica

1 online resource (215 p.)

Altri autori (Persone)

AndrisSilke

FrederickUrsula

Disciplina

791.43082

Soggetti

Women in motion pictures

Action and adventure films - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Filmography: p. [189]-196.

Includes bibliographical references and index.

Nota di contenuto

Why women willing to fight? An introduction / Silke Andris and Ursula Frederick -- The neomyth in film : the woman warrior from Joan of Arc to Ellen Ripley / Barbara Creed -- Just a woman among the cyborgs : Sarah Connor in Terminator 2: judgement day / Catherine Summerhayes -- Past, present, future : finding treasure in the lives of Lara Croft / Ursula Frederick -- Violence, duty and choice : the military woman in contemporary Hollywood cinema / Yvonne Tasker -- Million dollar baby : the making and unmaking of the female boxer's body / Silke Andris -- Fighting to be seen : looking for women in the West, from The searchers to The missing / Martin Flanagan -- Belles with attitude : genealogies of the new Hollywood wisecracking action heroine / Polona Petek -- Zhang Ziyi, "Martial Arthouse" and the transnational Nuxia / Leon Hunt -- Superheroine : women as martial artists in early twenty-first century cinema / Catherine Driscoll.

Sommario/riassunto

Women Willing to Fight is a collection of essays that explores the presence of the fighting woman in contemporary Hollywood cinema. Drawn from a variety of genres, the authors examine the changing role,



image and position of this figure in film over recent decades. The increasing dominance of this character and her repositioning as a protagonist reinvigorates discussion concerning the dynamics of film narrative and spectacle. Each contribution takes as its focus a central character from the ...