|
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910455922203321 |
|
|
Titolo |
The English emblem tradition . 4. / / edited by Peter M. Daly [and four others] |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1998 |
|
©1998 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-282-02870-7 |
9786612028700 |
1-4426-8118-7 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (395 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Emblems - England |
Emblem books, English |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographies and indexes. |
|
|
|
|
|
|
Nota di contenuto |
|
Remaines of a greater worke concerning Britaine -- The mirrour of maiestie -- Amorum emblemata. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This volume of the Index Emblematicus deals with three early seventeenth-century works: Remaines of a Greater Worke Concerning Britaine, by William Camden; The Mirrour of Maiestie, by H.G.; and Otto van Veen's Amorum Emblemata. Camden's Remaines is noteworthy for using imprese in language as pictorial image; for mixing imprese with cognizance; and for considering impresa itself as the identity of the individual rather than as a general principle. H.G.'s Mirrour is remarkable in that every one of its emblems consists of a personal heraldic coat of arms of an identified statesman twinned with a pictorial engraving, motto, and epigram on an opposite page. Van Veen's Emblemata enters literary history as a volume of emblem pictures consecrated to secular love experience, encapsulating some of the conventions of the sonnet sequences and having a strong influence on religious love literature.Each book is reproduced with critical and bibliographic introductions, translation of the poems and mottos, |
|
|
|
|
|
|
|
|
|
|
descriptions of the emblems, and indices to the visual and verbal components of the works. |
|
|
|
|
|
| |