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Record Nr. |
UNINA9910455795103321 |
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Autore |
Ty Eleanor Rose <1958-> |
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Titolo |
Empowering the feminine : the narratives of Mary Robinson, Jane West, and Amelia Opie, 1796-1812 / / Eleanor Ty |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1998 |
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©1998 |
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ISBN |
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1-282-02866-9 |
9786612028663 |
1-4426-7439-3 |
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Descrizione fisica |
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1 online resource (237 p.) |
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Disciplina |
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Soggetti |
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English fiction - Women authors - History and criticism |
Women and literature - Great Britain - History - 18th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- 1. Engendering a Female Subject: Mary Robinson's (Re)Presentations of the Self -- 2. Questioning Nature's Mould: Gender Displacement in Robinson's Walsingham -- 3. Fathers as Monsters of Deceit: Robinson's Domestic Criticism in The False Friend -- 4. Recasting Exquisite Sensibility: Robinson's The Natural Daughter -- 5. Abjection and the Necessity of the Other: West's Feminine Ideals in A Gossip's Story -- 6. Politicizing the Domestic: The Mother's Seduction in West's A Tale of the Times -- 7. Displaying Hysterical Bodies: Philosophists in West's The Infidel Father -- 8. Re-scripting the Tale of the Fallen Woman: Opie's The Father and Daughter -- 9. The Curtain between the Heart and Maternal Affection: Theory and the Mother and Daughter in Opie's Adeline Mowbray -- 10. Not a Simple Moral Tale: Maternal Anxieties and Female Desire in Opie's Temper -- Afterword -- Notes -- Index |
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Sommario/riassunto |
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Mary Robinson, a fantastic beauty and popular actress, and once lover of the Prince of Wales, received the epithet 'the English Sappho' for her |
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lyric verse. Amelia Opie, a member of the fashionable literary society and later a Quaker, included amongst her friends Sydney Smith, Byron, and Scott, and reputedly refused Godwin's marriage proposal out of admiration for Mary Wollstonecraft. Jane West, who tended her household and dairy while writing prolifically to support her children, was in direct opposition to the radically feminist ideas preceding her. These authors, each from different ideological and social backgrounds, all grappled with a desire for empowerment. Writing in an atmosphere hardened towards reform in response to the French revolution's upheavals, these women focus their narratives on typically feminine attitudes - docility, maternal feeling, heightened sensibility (that key word of the period). Their focus invested these attitudes with new meaning, making supposed female weaknesses potentially active forces for social change.Eleanor Ty's convincing argument, arrived at through close readings of ten key texts, is an important addition to the recent spate of publications which bring to the fore neglected women authors whose fascinating lives and works greatly enrich our understanding of the late eighteenth century and British Romanticism. |
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